NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

DJ Cosmo

DJ Cosmo

DJs, Solo artists
linkedin

Profile added by Ano Shumba on 09 Dec 2015

Claim this profile

flag-img

Johannesburg, South Africa

Contact person:

DJ Cosmo

BIO

Born on 23 December, DJ Cosmo (real name Cosmas Chileshe) is a Zambian renowned musician, songwriter, radio presenter and Club DJ. He is the third child in a family of six children. He began his career in 2008 as a musician. He was inspired by his friend Kayombo. Kayombi is one of Zambia’s top dancehall artists.

He recorded his debut single ‘Nalelo Bwacha’ in 2008. Kayombo featured on the song. This was followed by the release of the video which was nominated at the Born and Bread Awards. In 2009, he did collaboration with British pop artist Kris Coulthard. They collaborated on a single titled ‘Fly’; the song is a fusion of pop and dancehall genres. It was sung in English and Nyanja languages. Since then, he began collaborating with some of the top Zambian artists like Exile, Hamoba, Franciar, Baska and JK.

In 2010, he held a number of performances around the country. His popularity saw him sharing the stage with Malawi’s Lucious Banda in 2011. That same year, he proceeded to South Africa alongside Zambian dancehall veteran Danny. Later in 2011, he travelled to Austria where he ignited his international exposure. The exposure saw him collaborating with some Austrian artists and shot his video called ‘Kwacha’. This earned him much airplay on local radio and TV stations. The airplay earned him a household name and saw his single ‘Koko Ndodo’ nominated at the Born and Bread Awards.

In 2012 he collaborated with JK on the single ‘Unani Tenga Mtima’. The success of his ‘Koko Ndodo’ single prompted some artists to do a remix (2013) which featured Franciar, Petersen, Kayombo, T-Sean, Flexville Marley and Kapepa. In 2013, he released a debut album titled ‘Point of No Return’. The album sold 8000 copies in its first month with most sales coming from his home country and Austria. The success of his debut album prompted him to shift his music writing style to attract an international audience by writing more songs in English.

DJ Cosmo has remained faithful to his roots by recording dancehall hits. He did a single called ‘Sexy Panty’ which featured South African based Zimbabwean dancehall artist Buffalo Souljah (real name Thabani Ndlovu). They shot the video in South Africa and it did very well on Channel O, Trace and MTV Base.

The overwhelming response of his music saw him getting an invitation to perform at the Africa Movie Academy Awards nomination party held in Johannesburg, South Africa in 2014. That same year he was also invited to perform at the 2014 Namibian Music Awards. In 2015, he released another album titled ‘The Statement’. The album followed the release of a single called ‘She Aah Bomb’ featuring Kayombo. He also released a second single titled ‘Whine Ya Body’ featuring JK.

Photos

No photos available

Music

Coming soon

Videos

Coming soon

Social Networks and Websites

Disclaimer: Music In Africa provides a platform for musicians and contributors to embed music and videos solely for promotional purposes. If any track or video embedded on this platform violates any copyrights please inform us immediately and we will take it down. Please read our Terms of Use for more.

newsletter banner

Subscribe to our monthly Newsletter

Follow us on social media