NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Matto Cole

Matto Cole

Solo artists
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Freetown, Sierra Leone

In operation since:

2000

Contact person:

Matto Cole

BIO

Matto’s dream of becoming an international music artist started at the age of 7 when she first started singing. Influenced by her mum who was a singer and song writer, Matto started singing as most young girls do, using anything she could find as her pretend microphone. Taking inspiration from a Jamaican artist, Lady Patra, Matto named herself Lady Matto. Matto would sing at school and at home, but she took singing a step further when she wrote her first song “Mi Paddy” with the help of her mum. This track secured Matto a record deal with the Paradise Family (Jimmy Bee) and within four months, this track became a big hit in Sierra Leone.

During a period of time where there were not many female singers in Sierra Leone, Matto overcame many barriers and “Mi Paddy” gave her a lot of bookings, allowing her to tour the country. It also led to Matto winning two AWOL awards (All Walks Of Life) for Best New Comer and Best Single. Matto took part in major competitions, including one in Guinea where she competed with artists from Gambia, Senegal and Ivory Coast. With a shy and reserved but very friendly personality off stage, people were always amazed to see Matto’s fiery performances on-stage. Rapping always came naturally to Matto, and in combination with her angelic singing voice, Matto always gave the audience a good show.

Matto relocated to the UK and struggled to find the right studio for her style. She spent some time embracing the new culture and learning the different musical sounds and this was put into her first album “Together” in 2010. The song “Together” was a hit in the UK as it appealed to an audience other than Salone beats, but when she brought the song back to Sierra Leone, it wasn’t accepted because it was of a different genre. This was when Matto began working with Jada Vizzle. Messing around in Mercury Records studio in Sierra Leone one day, Jada created a crazy beat that Matto fell in love with; this was the making of her hit track “Oba”. With the high tempo of “Oba”, Matto was pushed out of her comfort zone and in to a new dimension of her music; this is why Oba starts with the line “I never thought that I could do a thing like this”. Oba was well received by Matto’s fans which prompted her to begin working on her album. This album was self-titled Matto as part of a rebranding campaign from Lady Matto to Matto.

Now under the management of 2BExquisite, Matto has a greater social media presence and is making appearances on bigger live shows. With a music production team led by Esselle Media and supported by Soundboy Richie, Matto is working towards her new EP. “Embargo”, “Grown” and “Col Watta” have caught the attention of many and attracted the support from key stakeholders in the entertainment industry. Grateful for the increase in viewings, Matto remains determined to keep raising the standard and to push Sierra Leonean music to an international level.

Social Networks and Websites

Disclaimer: Music In Africa provides a platform for musicians and contributors to embed music and videos solely for promotional purposes. If any track or video embedded on this platform violates any copyrights please inform us immediately and we will take it down. Please read our Terms of Use for more.

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