NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Home / Artists & Industry / MatchStick – The Flame Source
MatchStick – The Flame Source

MatchStick – The Flame Source

Solo artists
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Midrand, South Africa

In operation since:

2007

Contact person:

MatchStick – The Flame Source

BIO

⦁ Emmanuel Motsepa (Artist name: MATCHSTICK-THE FLAME SOURCE) was born in Tembisa, South Africa in 1993.

⦁ He was raised in Ivory Park ext.2 where he spent most of his childhood playing soccer and later introduced to the art of Rap and Music Production which he is now locally known for by his community where he often hosts Hip Hop Sessions outside his house and by his steadily growing fan base.

⦁ Having played for the Kosta Papic Football Academy(PFA) which had crashed due to sponsorship problems, Matchstick has since then devoted his time and hard work to the music industry.

⦁ After completing his matric in 2011, he then decided to take a step towards his dream by enrolling at Boston and completing the Soul Candi Programme of Digital Music Composition and Production in Johannesburg.

⦁ Willing to learn more about the craft, in 2013 he then went to the Academy of Sound Engineering to get a diploma in Sound Engineering where he studied with the likes of “Lunatic”(Caracara/Cash Time Producer),”Dj Doowap” and “Priddy Ugly”, but unfortunately dropped out due to typical financial problems faced by youth from the township.

⦁ Refusing to give up on his dreams, Matchstick then proceeded to use his natural talent along with what he had already learnt to independently produce and record a number of singles for himself and other upcoming artists.

⦁ He then made his masterpiece so far which is the FLAG TRAP Mixtape which has local youngsters and elders singing along to his hit song “HOLA MAJITA” .

⦁ Matchstick has also helped other artists’ craft as he has produced hits such as M.T –Vernacular MC’s no.1 track on Metro FM titled “Trap Makoya” ,produced and featured “One Mic” TV show battle winner’s Benny P on hit track “Heaven On Earth” and produced and featured yet another “One Mic” battle MC Touch on their track “Nombolo”.

⦁ The Flame Source is definitely a producer and Artist to look out for as he is now being played on a number of community radio stations such as VOT FM(Voice Of Tembisa) and Alex FM just to name a few.

⦁ Matchstick started producing for himself and upcoming artists. He has worked with artists such as One MIC TV show, Benny P. M.T and MC Touch.

⦁ The mainstream should simply prepare the coronation of this young king as his music is world class and it’s only getting better with time, he still resides in Ivory Park Midrand where he continues to work independently in his own home workspace while murking any show he hits up as if it’s his last.

⦁ The Talented Youngstar also independantly Created,Produced,Edited and basically did all the countless technical requirements of the film industry in yet another innovative project "IVORY STORIES", which is a Kasi Musical film with a totally different approach and full of dramatic irony as the!:30 min+ long film is full of dramatic irony with unpredictable outcomes which are peaked to climax by the music in dialogue and action.

⦁ Now this talented has surely gotten to another level with his innovative I SEE MUSIC multi-genre compilation which is surely a world record finally complete
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⦁ I SEE MUSIC is an innovative and first ever compilation release by MATCHSTICK - THE FLAME SOURCE which consists of 18 albums/tapes of 18 different styles/genres which are are produced by one man and a record/trendsetter in that case...

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