NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

10 questions for Idahams

10 Dec 2018 - 14:40

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Idahams (real name Hart Idawarifagha lshmael) is a Nigerian pop artist. At the age of 10, he joined the music department at the Anglican Church in Rivers State where he learnt to play musical instruments.

Idahams' new single is titled 'No One Else'.

Since then, Idahams has taken steps in the music industry, morphing into a songwriter and producer and working with such artists as Duncan Mighty, Danny Boy, Mr 2Kay, Solidstar and others. In 2016, he signed with Grafton Records and has released the singles 'Anything For You', 'Toast', 'Heal the Land' and his latest, 'No One Else'. Recently, he had an exchange with Music In Africa.

MUSIC IN AFRICA: Congratulations on the release of your new video ‘No One Else’. Could you talk about the process of creating this particular song?

IDAHAMS: 'No One Else' was made in a hotel in Port Harcourt. A producer friend named TU2 emailed me the beat and I travelled with my mobile studio, so I started freestyling and recording at the same time on the beat. The song was actually inspired by Davido and Chioma’s relationship.

Interestingly, 'No One Else' was recorded even before Davido’s 'Assurance'. In fact, after I finished recording the song, I tried to get Davido to jump on it, but to no avail. Finally, my label [Grafton Records] decided to release it as a single and got Clarence Peters to shoot the video.

Are there any plans for a remix of the song?

Absolutely. Fingers crossed.

The new song sounds very different from your other single ‘Toast’, which is itself different from your earlier single, 2016’s ‘Anything For You’. What has changed for Idahams as a recording artist in two years?

I make an effort to build myself and grow within and outside myself. My music is a reflection of myself at a particular point in time and that also amplifies my uniqueness. You talked about 'Toast' and 'Anything For You' but the process continued with the creation of 'God Can Bless Anybody' and 'Heal The Land'. These are various facets of sounds that make me unique.

With all of the different elements you have employed so far, how would you describe your music?

Very simple! I’m a lover boy who preaches and practises love.

You started your music career in Port Harcourt. In recent times, we've had Burna Boy, Timaya and Mr 2Kay move to Lagos from that city. How are the music scenes different from each other? I like to imagine Port Harcourt is less crowded.

Less crowded? Not really. There are lots of talented musicians in PH City just as there are in Lagos and probably other parts of Nigeria. The fact is Lagos is the centre of entertainment in Nigeria and the market is as big as the attention it commands. So the move for a lot of people like me is basically guided by a dream: why struggle within a zoo when there's a whole jungle to conquer? In summary, I'll rather be a big fish in a big pond instead of a big fish in a small pond.

Do you feel any sort of pressure given the commercial success of those three artists?

Let's not forget Duncan Mighty who has been doing very well before and in recent times. For me acceptance into the Lagos market wasn’t easy for them at that time but thank God they were able to succeed through hardwork and persistence. I don't feel pressured at all; I just believe that everybody who puts in work will eventually reap the fruit of their labour. I am building a true fan base and I believe I will shine as bright and everybody would see, soon.

Are there any artists you would like to collaborate with?

Definitely. I always got love for Simi and would really love to do a song with her. I also love Tiwa Savage, Davido, Flavour, Yemi Alade... it's an endless list.

Many upcoming acts say the Nigerian music industry is a difficult space. What is your experience so far?

I quite agree but I also understand that success is a process groomed by hard work and persistence. I think every upcoming act needs time and if you’re true to the music, you will excel.

It's the Christmas season. How is Idahams spending the holidays?

You know that Christmas is always a busy time for artists 'cause there are shows here and there. For me, I don’t even know where and how I would spend Christmas yet. I have been booked for various events already in December. I also have a media tour in between [Lagos and Port Harcourt]. But I'll be happy to spend the Christmas working. I won't complain.

What is next for Idahams? Are there any plans for an album, another single, a tour? What can fans expect in 2019?

For now, I'll like everybody to see my new video and raise the views to a million for me. While at that, I am working some collaborations and my first EP is undergoing finishing touches to be released in 2019. I'm working and please keep an eye on me 'cause it would be worth your while.

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