NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Activist urges boycott of Jaliba song for ‘elected’ Gambian President

12 Dec 2016 - 11:28

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Dabakh Malick, a pro-democracy youth activist has urged Gambians to desist away from sharing the new song of Jaliba Kuyateh. He has also all asked that radio stations stop playing the song over their airwaves.

Jaliba Kuyateh

Jaliba Kuyateh, Gambia’s kora maestro, released a new song for the elected president Adama Barrow whose election has been reversed.

Malick stressed that, “We must not allow ourselves to be dragged back to such which has affected our growth as a country and people since independence. Leaders are servant sof the people and must not be seen to be Kings to be praise like the generation of Burmai Sonko or Burr Saloum." He noted that such should be discouraged in the #NewGambia it would only empower the President and degrade the citizenry.

“Let's spread the message with the hastag #BoycottTheJalibaSong," he said, "after successfully changing the government which was undoubtedly undemocratic by all standards, the time has come for Gambians to be sensible enough to put in place ways and means of making sure that our rights are never ever trampled upon again.”

Nyang Njie, described Jaliba Kuyateh is a shameless opportunist who kept quiet when Gambians were suffering.

“He has no place in the New Gambia as he is another fake," he said. "The Gambian is not looking for praise singers or loud mouths. Please redeem yourself brother Jaliba before you come out to appease us." He added that Mr Kuyateh had a platform and a microphone to denounce injustice but looked away "despite his big mouth and amplified microphone."

Omid ‘Sekou’ Wisdom, a hip- hop artist, said Jaliba is known for being able to travel and stay overseas, an environment where he would have been able as an elder speak truth to the problems the country was facing, but he did not. “Fine, as he is a praise singer like you say, you might suggest that it was not his job to sing praise to truth but griots were known to not only be praised singers but 'storytellers' as well. Why he never used this 'oral narration' methodology to narrate what was going on in the country is not even the focus of this argument or the people's desire to boycott the song."

He added that it is too early to encourage praise singing. This, he claimed, led to Jammeh turning the giving out of 'appreciation' and 'tokens' into a direct squandering of the tax payers' money to these praise singers be it from Gambia or Senegal: "You cannot tell me griots do it for 'free' or simply put of goodwill. This is not uncommon knowledge to all. "Let him sing the praises of the Gambian people and remind Barrow of his servant responsibility to the people for he has already failed us in his duties as a 'storyteller',” Sekou said.

Since announcing his decision to accept the election results, President Jammeh of the Gambia has changed his position.


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