NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Africa shines at International Songwriting Competition 2021

18 May 2022 - 09:32

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The International Songwriting Competition (ISC) has announced its 2021 winners, with Senegalese kora virtuoso Seckou Keita taking first place in the World Music category alongside Cuban jazz pianist Omar Sosa.

Seckou Keita and Omar Sosa won first place in the World Music category for their song ‘Allah Léno’.

Launched in 2002, the ISC is considered the most prestigious songwriting competition in the world, receiving more than 21 000 entries from over 150 countries. Grammy-winning Malian musician Oumou Sangaré served on the panel of judges for the 2021 edition.

Keita and Sosa received top honours in the World Music category for their song ‘Allah Léno’, followed by Canadian artist Kelly Bado and American act AO Music, who secured the second and third prizes for ‘Mama Hé’ and ‘Nashu’, respectively.

Keita has won multiple honours, including the prestigious BBC Radio 2 Folk Musician of the Year Award, while Sosa is behind more than 30 albums that have received several Grammy nominations. The two musicians first met in 2012 and in 2017 released their collaborative debut album Transparent Water. The duo's second collection SUBA was released in October 2021.

“All of these world music winners are so accomplished, and we are proud to honour them and celebrate the traditions of the genre,” ISC founder and director Candace Avery said. “These artists will no doubt inspire up-and-coming artists and are destined to become a part of the legacy of world music today and in the future.”

Other African finalists the in the World Music category, listed as honourable mentions, are Cameroonian acts Nda Chi and Dr Sley, Kidum Kibido from Burundi, Egypt’s Tamer Hosny & Elissa, and Fanfara Station from Tunisia.

South Africa’s Steve Umculo came second in the Music Video category for ‘Your Eyes Through Mine’. Fellow South African act Blvd Hvnny earned an honourable mention in the same category for ‘Joaquin’. Johannesburg native Vaughn Prangley also earned an honourable mention in the Teen category for his entry ‘Passing Seconds’. Another honourable mention went to Nigeria’s Addey in the Lyrics Only category for ‘Laying My Burden Down’.

Meanwhile, the overall grand prize was awarded to US dark pop musician Notelle for her song ‘Sufjan Stevens’. ISC’s panel of celebrity artists and music industry executives said the grand prize embodies the highest degree of excellence in the craft of songwriting.

“There are very few moments that leave you speechless from joy,” Notelle said. “This moment for me will be one of them. I would never in my wildest dreams have imagined that a song I wrote alone in my car would have had this much of an impact on my pursuit of being a songwriter. ISC has given me the kind of opportunity and encouragement that I have never had before, and I will be forever grateful. What an unbelievable experience.”

In celebration of its 20th anniversary this year, the competition has increased its prize package to $225 000 in cash and merchandise to be shared by 71 winners in 23 categories. The overall grand prize package has also been increased to more than $70 000 and includes $25 000 in cash, plus merchandise and services.

The full list of winners, including their winning songs, is available here. Entries are now open for ISC 2022, and interested participants can submit their tracks here.

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