NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

African musicians who impressed in 2018 – part 2

29 Dec 2018 - 09:05

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This is part 2 of Music In Africa's African Artists Who Impressed in 2018 list. Read part 1 here.

France-based Malian singer Aya Nakamura. Photo: Facebook

West Africa

Aya Nakamura (France/Mali)

French-Malian singer Aya Nakamura makes most of the other African names we have already mentioned look like part-time musicians. In April, she released 'Djadja', a song that made the music charts across Europe, earning the singer No 1s in France, the Netherlands and Romania. The song went platinum in Belgium, diamond in France and gold in Switzerland. 'Djadja', which is off the 13-track album of the same name released in November, also has amassed more than 270 million YouTube views and the song appeared on Apple’s A-list of African music. Another single, ‘Copines’, also off the Djadja album, is currently sitting on 113 million views.

Davido (Nigeria)

Davido’s biggest success this year was coming out tops in the Best International Act category at the BET Awards in LA. The video for ‘Nwa Baby’, released in August and included on Apple’s A-list of African music, has done famously on YouTube with more than 4 million views. Davido also made the Forbes Africa 30 Under 30 list and won the Artist of the Year, Song of the Year and Best Pop Single awards at the 2018 Headies. His single ‘Assurance’, together with Wizkid’s ‘Fever’, were the most searched Nigerian songs on YouTube this year. And his video for 'Fall' recently overtook Yemi Alade's 'Johnny' as Nigeria's most viewed music video on YouTube with close to 100 million plays.

Wizkid (Nigeria)

Wizkid is another top Afropop giant who in 2018 made further strides on his journey to global domination. The ‘One Dance’ singer went home with four awards at the Headies: Best R&B/Pop Album, Best Music Video, Best Collabo and Viewers' Choice. He also made the most appearances on Apple’s A-list of African music. The 28 year old’s songs included on that list are ‘Fever’, ‘Master Groove’ and ‘Kana’ featuring Olamide. ‘Supa’, a song by Ghanaian duo R2Bees featuring Wizkid, was also included by Apple.

Toofan (Togo)

Togolese Afropop duo Toofan this year made waves with their 13-track album Conquistadors. The album features great tracks such as ‘Affairage’ (released in July), which currently has more than 7.5 million views on YouTube. Among other great achievements, the group was crowned Best African Band and Best Francophone Artist at the fifth edition of the African Muzik Magazine Awards (AFRIMMAS) in Dallas, US, in October.

Honourable mentions

Other West African artists who must be mentioned for their significant achievements this year are Seun Kuti & Egypt 80 (Nigeria), Fatoumata Diawara (Mali) and Bombino (Niger), all of whom were nominated in the Best World Music Album category for the 2019 Grammy Awards. Kuti, together with his brother Femi, who released the One People One World album in February, played a pivotal role in continuing their father's Afrobeat legacy. Diawara’s album Fenfo (Something to Say) was named World Album of the Month in May by the Guardian magazine. The 11-track album features ‘Nterini’, whose stunning video has more 1.3 million YouTube views.

Read part 3 of our African Artists Who Impressed in 2018 list.

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