NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Amandla Freedom Ensemble to launch new album in Joburg on 27 May

16 May 2023 - 13:30

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South African jazz collective the Amandla Freedom Ensemble will bring its latest album Oratorio of a Forgotten Youth to the stage at the Wits Great Hall in Johannesburg on 27 May.

The Amandla Freedom Ensemble. Photo: Siphiwe Mhlambi

The six-track album is a fusion of jazz, classical and indigenous influences, with the performance a musical reflection of the 1976 student protests and the #FeesMustFall movement that began in mid-October 2015.

Led by trumpeter Mandla Mlangeni, the Amandla Freedom Ensemble will be joined onstage by The Brother Moves On, Vivacious Sounds, poet Lesego Rampolokeng, the Resonance String Quartet, Yonela Mnana and Tawanda MuAfrika.

The album is the culmination of an extraordinary collaborative endeavour between some of Johannesburg’s most formidable jazz, classical and indigenous musicians. It will be available for purchase on vinyl and CD at the concert.

Taking inspiration from the complex legacy of black consciousness, the project reimagines jazz through the lens of poetry and classical musings, evoking the restless spirit of student resistance and echoing these turbulent times’ call for change.

“Expect a powerful multidisciplinary musical experience that incorporates poetry and theatre, audaciously pairing a cutting-edge jazz ensemble with a string quartet and choir,” Mlangeni said. “Oratorio of a Forgotten Youth resonates with the spirit of where South Africa finds itself: at a crossroads of confronting its malignant past so as to heal from the trauma of generational dispossession and the realities of a voiceless majority with little to celebrate in the post-apartheid era.

“Our project expands on the interdisciplinary piece that has been performed in different formats in recent years, in order to anchor it in the collective memory by means of physical objects that will serve as archival memories. This will be articulated through the creation of a book and vinyl record to accompany the album.”

The album features the Amandla Freedom Ensemble, which includes Ariel Zamonsky (bass), Yonela Mnana (piano), Thabang Manana (alto sax) and Sisonke Xonti (tenor sax). It also includes contributions from members of The Brother Moves On – Siya Mthembu (vocals), Simphiwe Tshabalala (drums) and Muhammad Dawjee (tenor and baritone sax).

Also featured on the album is the Resonance String Quartet with Kabelo Motlhomi (violin), Kabelo Monnathebe (violin), Tiisetso Mashishi (viola) and Daliwonga Tshangela (cello). Vivacious Sounds was the featured choir under the direction of Yonela Mnana, alongside members of the Wits Jazz Ensemble including Enoch Marutha (drums), Sibonelo Kodisang (tenor sax) and Mathapelo Wesinyane (alto sax). Special guests on the album are multi-instrumentalist Mark Fransman (flute, bass clarinet, alto sax) and Lesego Rampolokeng, who wrote the libretto and recited the poetry.

“In addition to my long-held passion for jazz and classical music compositions, our collaboration with literary giant Lesego Rampolokeng for the project’s libretto gives meaning to a deeply personal journey towards acknowledging the black consciousness tradition,” Mlangeni said.

He added: “I witnessed first-hand the brutality of the regime when I lost my father to a booby-trapped cassette tape in 1991. Nevertheless, the physical and psychological scars were not enough to dissuade me and many others from buying into the new South Africa. My own personal history serves as the anchor in making the realisation of Oratorio of a Forgotten Youth both a rigorous academic research and performance endeavour.”

The album was produced by Mlangeni, with support from the National Institute of Humanities and Social Sciences and the Wits School of Arts. It was recorded at Soulfire Studios in Johannesburg between September 2021 and April 2022 by Gavan Eckhart, who also mixed and mastered the album.

Tickets to the event are available here.

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