NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Apple Music marks Nigeria’s Independence Day with streaming highlights

01 Oct 2024 - 10:25

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In tribute to Nigeria's 64th Independence Day on 1 October, Apple Music has unveiled its top ten most-streamed Nigerian artists, songs, and albums of all time as part of its annual Oshe Naija campaign.

Burna Boy is Apple Music's most streamed Nigerian artist of all time. Photo: Nickie Rose

The initiative celebrates the success of Nigerian artists on the digital streaming platform (DSP).

Leading the list of most-streamed Nigerian artists is Burna Boy, followed by Wizkid, Davido, and Rema. Others include Asake, Tems, Omah Lay, Fireboy DML, Bnxn, and Olamide. Last year, Burna Boy, Wizkid, and Rema were also recognised as part of the five most influential Nigerian artists, alongside Davido and Asake.

This year’s top songs chart sees Rema and Selena Gomez’s ‘Calm Down’ topping the list. The track is the first Afrobeats-led song to surpass one billion streams on rival DSP Spotify. Burna Boy has several entries on Apple Music’s chart, including ‘Last Last’, ‘Ye’ and ‘On the Low’. Wizkid, too, boasts multiple entries, including ‘Essence’ featuring Tems and ‘Come Closer’ featuring Drake. The list also features newer stars like Tems and Ayra Starr.

On the album front, Wizkid’s Made In Lagos takes the top spot, with Burna Boy closely following with Love, Damini, African Giant, I Told Them and Twice As Tall. Other albums include Tems’ For Broken Ears, Asake’s Mr Money With The Vibe and Work of Art, Davido’s Timeless, and Omah Lay’s Boy Alone.

As part of this year’s Oshe Naija campaign, Apple Music will also launch an exclusive collection featuring eight curated playlists by top Afrobeats stars like Omah Lay, Odumodublvck, Shallipopi, Qing Madi, Seyi Vibez, 2Baba, Jeriq, and Bloody Civilian.

In related news, Apple Music last month launched Music Haptics, an accessibility feature that allows users, including those who are deaf or hard of hearing, to experience music through taps, textures, and vibrations synchronised with audio.

“We’re thrilled to bring Music Haptics to our users, providing an immersive music experience that transcends auditory boundaries,” Apple Music said. “This feature embodies our commitment to accessibility and inclusivity.”

Below is the full list of Apple Music’s top ten most-streamed Nigerian artists, songs, and albums of all time:

Top Nigerian Artists on Apple Music

  1. Burna Boy
  2. Wizkid
  3. Davido
  4. Rema
  5. Asake
  6. Tems
  7. Omah Lay
  8. Fireboy DML
  9. Bnxn
  10. Olamide

Top Nigerian Songs on Apple Music

  1. ‘Calm Down’ – Rema & Selena Gomez
  2. ‘Last Last’ – Burna Boy
  3. ‘Essence’ – Wizkid feat. Tems
  4. ‘Free Mind’ – Tems
  5. ‘Ye’ – Burna Boy
  6. ‘Location’ – Dave feat. Burna Boy
  7. ‘Calm Down’ – Rema
  8. ‘Rush’ – Ayra Starr
  9. ‘On the Low’ – Burna Boy
  10. ‘Come Closer’ – Wizkid feat. Drake

Top Nigerian Albums on Apple Music

  1. ‘Made In Lagos’ — Wizkid
  2. ‘Love, Damini’ — Burna Boy
  3. ‘African Giant’ — Burna Boy
  4. ‘For Broken Ears’ — Tems
  5. ‘I Told Them…’ — Burna Boy
  6. ‘Twice As Tall’ — Burna Boy
  7. ‘Mr. Money With The Vibe’ — Asake
  8. ‘Timeless’ — Davido
  9. ‘Work Of Art’ — Asake
  10. ‘Boy Alone’ — Omah Lay

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