NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Call for applications: Concerts SA’s Music Mobility Fund

11 Mar 2016 - 09:34

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Are you planning a music tour but unsure how to fund it? Southern African musicians who are currently based in South Africa are invited to apply for the latest round of Concerts SA’s Music Mobility Fund, which will select new projects to support in April.

Touring artists are encouraged to apply for the Music Mobility Fund. Photo: www.concertssa.co.za

Following the success of the 2014 and 2015 rounds of funding, applications are now open for the first round of Music Mobility Fund disbursements this year. The deadline for submissions is Sunday 3 April 2016, and tours should take place between late April 2016 and 30 October 2016.

This tour-funding mechanism offers opportunities for professional South African musicians to undertake live music tours in South Africa, as well as other Southern African Development Community (SADC) countries. The fund provides support to live music performances, collaborations and performance-based workshops.

Since it was initiated in 2013, the Music Mobility Fund has supported more than 70 tours and has featured artists like Guy Buttery, Marcus Wyatt’s Language 12, Kyle Shepherd, Amandla Freedom Ensemble, Wendy Oldfield and Paul Hanmer, Ihashi Elimhlophe, Pops Mohamed and Dave Reynolds, Carlo Mombelli, Morayks and Thandi Ntuli. In addition to South Africa, these performances and projects have fanned out to Botswana, Lesotho, Malawi, Mozambique, Namibia, Swaziland, Tanzania and Zimbabwe, spanning genres from jazz and indigenous music to hip-hop and kwaito.

The fund is not only open to South African musicians, but to anyone from a Southern African nation who is currently based in South Africa. For example, two Cape Town-based Mozambican percussionists, Frank Paco and John Hassan, have been supported to tour Mozambique, while Joburg-based Zimbabwean guitarist Maxwell Vidima was funded to tour Zimbabwe.

According to legendary guitarist Steve Newman of Tananas: “The Concerts SA Music Mobility Fund has been a blessing to touring musicians like me, enabling the trio to play around the country. Touring can be expensive and the Mobility Fund has made this easier because they covered travel expenses, accommodation, food and hiring of extra sound gear. Others have been exposed to audiences along the coast including the Western Cape Garden Route and KZN. It is fairly easy to apply for Mobility Funding and once done, it becomes easier, especially for an independent artist not playing mainstream repertoire. I would encourage musicians wanting to tour to apply.”

Unlearning Ensemble leader Sibusile Xaba, who recently took part in a successful workshop in Maputo, Mozambique in partnership with Music Crossroads Mozambique, explained: “As independent artists, touring is important for various reasons. Firstly, it allowed us the opportunity to present our music in different countries, expanding the number of people who appreciate our music. Secondly, it is a great platform where independent artists are able to gain a chance in collaborating, sharing ideas, concepts, information and skills with fellow artists from different places, allowing one the opportunity to learn not only music, but humanity, culture, environment, agriculture, diversities, similarities, linguistics, history, justices and injustices, amongst many other elements which I believe contribute greatly in moulding the artist one is or becomes. Lastly, I feel it can help activate alternative spaces which can be used as ‘unconventional’ art spaces to either host art presentations, performances, exhibitions and even arts education.”

The fund is administered by Concerts SA, a joint South African/Norwegian project housed within the SAMRO Foundation. Working with musicians, promoters, venue owners and music sector stakeholders, the project aims to build a vibrant and viable live music circuit in southern Africa. It also seeks to develop an interest in and appreciation of live music by showcasing music performances and conducting workshops at schools. The fund provides support towards travel and transportation, as well as per diems, material costs (hiring of backline and sound equipment), accommodation and visas. Among the projects that may be financed are tours and concerts, including regional, national or provincial tours, as well as performances at festivals and showcases. The fund also funds artistic collaborations with merit among musicians based in different provinces of South Africa or SADC countries. Each project must be between four days and six months in duration.

  • National Projects: Artists from all provinces are invited to apply for national projects taking place in any South African provinces. The bulk of the activities must take place outside the province where the artist is based. The tour schedule must include one activity in either Gauteng, the Western Cape or KwaZulu-Natal. Applicants may request up to R25 000.
  • Regional Projects: Regional projects must take place in one or more of the following SADC countries: Angola, Botswana, D.R. Congo, Lesotho, Madagascar, Malawi, Mauritius, Mozambique, Namibia, Seychelles, Swaziland, Tanzania, Zambia and Zimbabwe. Applicants will need to conduct their own research and have identified and communicated with a potential partner or host. The partner may be an individual or organization, must be an established musician or music professional, and must be based in the SADC country (or countries) where the project will take place. Applicants may request up to R40 000.

How to apply

Applicants should first read the Call for Proposals, then complete the application form (.doc or .pdf) in English and submit it by Sunday 3 April 2016, including the following mandatory documents: legal documentation of the applicant (ID/passport copies; company registration documents); track record (media coverage, website links, awards, public appearances, residencies, CV, biography, etc); project budget (including projected income and expenditure); and a tour schedule with a calendar of activities. SADC regional projects must include a letter from the local host confirming their support and involvement.

Enquiries and applications should be submitted by email to [email protected], by fax to 086 500 7028 or by post to Concerts SA, c/o The SAMRO Foundation, 20 De Korte Street, 4th Floor SAMRO Place, Braamfontein, Johannesburg, 2001.

For more information, visit the Mobility Fund website or the Concerts SA Facebook page.

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