NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Cape Town Opera to pay tribute to Mandela at ‘Africa Utopia’ in UK

12 Aug 2016 - 12:52

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Africa Utopia returns to the Southbank Centre in London, UK between 31 August and 4 September with an exciting programme of music, discussions, workshops, fashion, food, comedy and more - all celebrating the cultural diversity of Africa.

A scene from 'Mandela Trilogy'. Photo: John Snelling / mandelatrilogy.com

Launched in 2012 by the Southbank Centre, Africa Utopia is a festival dedicated to bringing art and ideas from Africa and its diaspora to audiences in the UK. This year's event will see South Africa's Cape Town Opera, Malian 'desert rock' band Terakaft and award-winning Nigerian guitarist Femi Temowo bringing the sounds of Africa to London during the five-day extravaganza.

The Cape Town Opera in partnership with the Wales Millennium Centre will present the story of one of the world's most iconic figures, South African statesman Nelson Mandela. Presented in three parts by a cast of over 60 performers (including three different incarnations of Mandela), Mandela Trilogy will reflect both a life of extraordinary contrasts and an overarching theme of unflinching courage in the face of adversity.

Cape Town Opera’s celebration of Mandela’s life is a spectacular portrait of a man who touched hearts and minds around the world. The contrasting phases of his journey are recreated through strikingly divergent styles of music. The upbeat jazz- and swing-influenced songs of Sophiatown in the central section of the piece are framed on either side by more familiar contemporary opera forms. For more about Mandela Trilogy, visit the show's website or watch the video below.

Terakaft (meaning 'caravan' in Tamasheq) have embraced the electric guitar and made it their own. The band was formed in 2001 by Sanou Ag Ahmed (then based in Kidal, Mali) with Kedou Ag Ossad, who was a member of the original line-up of the popular band Tinariwen. Terakaft recorded their first studio album, Bismilla (The Bko Sessions), in four days at Bogolan Studios in Bamako, Mali. The band then embarked on their first European tour in 2007. Their second album, Akh Issudar, was released in 2008. Fusing traditional sounds and modern pop influences, the band will bring the best in North African music to the UK festival.

UK-based jazz virtuoso Femi Temowo first rose to prominence as a sideman for the critically acclaimed British saxophonist Soweto Kinch – a collaboration that resulted in a nomination for the Mercury Music Prize, a BBC Jazz Award for Best New Group and several MOBO Awards. Performing at the upcoming UK festival with his trio, Femi will present new material from his latest album, The Music Is The Feeling, which channels the sounds of Temowo’s childhood growing in Nigeria listening to pioneers such as Fela Kuti, King Sunny Ade and Ebenezer Obey. More about the album in the video below.

Away from the music, Africa Utopia's various panel discussions will also explore issues relevant to the African continent. For example, a session dubbed #HowToFixNigeria will explore gender inequality in Nigeria and the ways in which women (and men) are fighting back against patriarchal oppression. Among the key questions the session aims to address is whether or not the focus on gender in development projects has actually resulted in any progress towards dismantling patriarchy in the country.

For more details and the full schedule of activities, visit the Southbank Centre website

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