NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Reviews

Davido gets his team together for La La

30 Apr 2021 - 16:52

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When Davido released his third album last year, two things were clear. One: it wasn’t quite as good an album as A Good Time from 2019. Two: It had a number of songs that would be great as singles.

A still taken from Davido’s latest video.

One of those songs was ‘FEM’, which was released before the album. Another was ‘The Best’, which has gotten its own video treatment. Yet another was the song ‘Lala’, which features the artist Ckay. That song has now been released as a single with its own video treatment.

As with a bunch of songs from Nigerian popstars, ‘La La’ is about a girl, one with whom Davido “fucks with heavy”. Never mind that word, the song’s lyrics are closer to PG 13 than you might imagine. Sex might be implied as usual with songs of this nature but ‘La La’ is a frivolous love song, encapsulating the mindless fun the title sorta nods to. One of the things Davido wants to do on the song is hug his beloved “like teddy”, which, considering how he hugs his own son on the album cover for A Better Time, suggests a deeper love. “I go dey for queue, for you,” he sings.

Appropriately, the song’s video shows a funny novelty match featuring a number of famous Nigerian male stars recognisable either from their contributions to traditional entertainment, like Mr May D, Mayorkun, and Peruzzi, and others from social media, like Sydney Talker, the Instagram skit maker.

Clips from the match were shared on social media weeks ago, with some users asking what the match was about and how it ended. The purpose for which these very famous men were gathered wasn’t widely known, although it might have been guessed in hindsight. Well, the mystery is now solved as we get a funny music video from Davido, who, one might assume would hardly miss an opportunity to burnish his own image – either as a successful musician or as a footballer. It turns out that, well, two other artists, Mayorkun and Oxlade, score and celebrate more attractively. Davido, though, gets the girl whose presence taunts him so much, his team appears to lose the match. By the end, it is clear that the girl is the prize. When he asks his teammates if she is worth the loss, they heartily agree. As the line from King Kong goes, “It’s beauty…that kills the beast.”

Underlying all of this video’s playfulness, Davido shows himself once again to be a canny conjurer of pop (or Afrobeats) hits. ‘La La’ takes advantage of the current amapiano craze and fashions it into a weapon of breezy pop. There is the guitar riff, the rolling drums near the start of the song, the “skrr” sound made popular by American acts, and the chants of the name of the popular Congolese musician Awilo Logomba for reasons unknown – but this mishmash of sounds works to produce aural pleasure. Little wonder Davido once used the word “fusion” to describe his genre of music. For a couple of minutes, the song does a decent job of keeping Davido alive on radio – and, of course, YouTube.

Artist: Davido ft. Ckay
Song: La La
Year: 2021
Label: DMW/ Sony Music UK

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