NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

Diaspora artists Cold Specks and Estère to tour Africa for first time

25 Apr 2016 - 10:53

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Two young female stars with African roots – one from New Zealand, the other from Canada – will be touring Africa for the first time over the next few weeks.

Cold Specks (left) and Estère (right) will be touring Africa.

Estère and Cold Specks will both be performing at Azgo in Mozambique, Bushfire in Swaziland and in South Africa at Zakifo in Durban and the Good Luck Bar in Johannesburg. Estère will do a second gig in Maputo, while Cold Specks will also perform at Sakifo in Reunion.

Estère plays a variety of instruments (including bass, synths, drums, guitar, keyboard, vocals and anything else that might take her fancy), then layers her production with pulsating rhythms and evocative melodies that adhere to the genre of “Electric Blue Witch hop”. Though based in New Zealand, she has a growing international profile, thanks to positive reviews in influential media outlets, French distribution of her first LP and supporting slots for American stars Erykah Badu and Aloe Blacc and a collaboration with US rapper Oddisee. He father is originally from Cameroon.

Watch her perform her song ‘Culture Clash’, which speaks about her mixed ancestry, in the video below.

Joining Estere in Southern Africa will be Cold Specks from Canada, who parents come from Somalia. Her 2012 debut album, I Predict a Graceful Expulsion!, was hailed as a masterful and wholly original debut, and was shortlisted for a Juno award and Polaris Prize. In a style described as “doom-soul”, Cold Specks has worked with American producer Moby (on his 2013 album Innocents) and was invited to play with Joni Mitchell on the folk icon’s 70th birthday. Like Estere, Cold Specks has a growing profile in North America and Europe and is now looking looking to grow her fanbase in Africa. She will be launching a new album around May this year and will use her first African tour to promote the album. Watch her video for ‘Blank Maps’ below.

Both artists spoke to Music In Africa recently to give us a preview of what it’s in store for their upcoming tours of Africa.

Music In Africa: What is your relationship to Africa? When was the last time you were here, and have you performed here before?

Estère: My father comes from Cameroon, I have a lot of family still living there - but this will be my first time coming to Africa.

Cold Specks: My parents are from Mogadishu. They relocated to Canada in the late 80s. I was born in Toronto, but grew up surrounded by a vibrant Somali community. It has never been quite safe enough for my family to return in my lifetime. I have never been to Somalia or set foot on African soil. I'm really looking forward to visiting on this trip.

MIA: Who are your favourite African musicians (past, present and future)?

E: I have so many - one's off the top of my head are Miriam Makeba, Salif Keita and Fela Kuti

CS: My father was very involved in the Somali music scene before the war. I was raised on Somali music. Saado Ali, Iftin, and Waaberi are my favourites.

MIA: What influence would you say your African ‘roots’ have had on your music (if any)?

E: I think the type of rhythms and melodies I naturally gravitate towards resonate somewhat from the ancestry deep in my bones

CS: Well, my father is a singer who sang Somali songs to me all my life. I am certain that seeped into my songwriting and singing style.

MIA: Do you consider yourself part of the African diaspora? If so, what is your local diaspora scene/community like, particularly in terms of music?

E: Yes to some degree, but the family I grew up in in New Zealand have been there for generations so it was always interesting for me to navigate my sense of belonging. There are definitely a few people of African ancestry making great music in NZ - but there is not a large community.

CS: Toronto is a very multicultural city. There many African communities. I grew up around kids from Somalia, Ethiopia, Eritrea, Ghana, Nigeria and many other countries. The music scene in Toronto is only now slowly becoming more diverse. It definitely used to be very white-male dominated. I definitely found it difficult as a woman of colour from an immigrant background to break through. It wasn't until I moved to London and found success there that Canadians started to pay attention.

MIA: What can audiences expect at your upcoming gigs in Southern Africa?

E: They can expect a dynamic and heartfelt performance. I like to keep busy on stage, so they'll see me dancing, playing drums, synthesizer and of course singing.

CS: A good time!

MIA: How did this opportunity to play in three different countries on the same tour come about?

E: It was facilitated through management (Aston Road) and booking agent I'm working with in Australia. Jess White of Akum Agency spends half his year in Mozambique and got in touch with different festivals in the South of Africa.

CS: I was approached by promoters who wanted me to play and I accepted. It sounded like such a dream tour and I could not turn it down. It was as simple as that.

MIA: Outside your performances, is there anything else you’re hoping to see or do while on tour in Africa?

E: It would be great to explore a little of the surroundings. I'd love to visit Madagascar and see some of the natural scenery and wildlife.

CS: We have a couple of days off in Mozambique so I'm looking forward to exploring.

MIA: What’s next for you for the rest of the year? Any plans to return to Africa soon?

E: I will be going to Europe to do some touring and then returning to NZ to finalize the rest of my upcoming album.

CS: I would love to play in East Africa. I was hoping to make it work on this round of touring but it didn't come together. I would love to visit Nairobi!! I have always wanted to go.


Estère will be performing on the follows dates:

  • Azgo Festival, Maputo - 21 May
  • Nucleo De Arte, Maputo - 22 May
  • Good Luck Bar, Johannesburg - 26 May
  • Zakifo Festival, Durban - 27 May
  • Bushfire Festival, Swaziland - 28 May

Cold Specks will be performing at:

  • Azgo Festival, Maputo - 20 May
  • Good Luck Bar, Johannesburg - 26 May
  • Bushfire Festival, Swaziland - 27 May
  • Zakifo Festival, Durban - 28 May
  • Sakifo Festival, Reunion Island - 4 June

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