NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Gambian great Jali Alhaji Mbye passes on

18 Dec 2018 - 11:32

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Gambian kora player Jali Alhaji Mbye has died.

Gambia's Jali Alhaji Mbye died on 12 December.

He died at the Edward Francis Small Teaching Hospital in Banjul on 12 December after a brief illness. The news was confirmed by the Musicians Union of the Gambia (MUSIGAM), where he served as vice-president representing cultural and traditional artists.

Regarded as one of the Gambia’s greatest and finest musicians, Jali Alhaji Mbye was born in Jarra Barrow Kunda to Sutaring Mbye and Aja Jabou Jange. He was born to a griot (jali) family and his father, grandfather and uncles were well-known praise singers, history reciters and kora players going back several generations.

His birth was probably in 1965 but he said his mother didn't own a calendar. He went to Barrow Kunda Primary School and later Mansakonko Junior Secondary School. He was sent to study the kora with griots, including Jali Nyama Suso, who was asked in the late 1980s by Norwegian musicians to recommend a kora player. He chose Mbye as one of the most talented young players. Subsequently, Mbye made the first of many trips to the Scandinavia.

Upon his return, he started working as a kora teacher in the now-defunct Eo'len Centre of West African Arts in the Gambia, which had many Scandinavian music students. At Eo'len, he met Scandinavian kora enthusiasts who invited him to return to Norway and Sweden, where he performed once or twice a year since 1990.

He played with Knut Reiersrud and was a guest on his 1993 album, Tramp. In Sweden, Mats Edén and Groupa were his first contacts, and he played concerts with the group in the early 1990s. Swedish musician Ale Möller was fascinated by Mbye's abilities and his "totalness" in music and invited him to be a member of the Stockholm Folk Big Band project. Theb and was composed of 14 musicians representing 11 countries from around the world. Mbye was the only one not a resident in Sweden.

Around the turn of the millennium, he got the opportunity to make a solo album in Sweden. He recorded pure kora songs in the tradition and all of the album's songs were in the Mandinka language.

With the help of his Swedish friends, Mbye was able to realise his dream of a music school for Gambian children, as part of his efforts to preserve the tradition of his homeland. Even non-griot children are welcomed to study there. He was a member of the International Society of Music Education (ISME) and attended its conferences in Pretoria in South Africa and Amsterdam in the Netherlands.

Before his death, Mbye was producing a programme on the history of the Manding Empire for the Gambia Radio and Television Service with Alhaji Sarjo Barrow. His death, said MUSIGAM, "has closed another great historical manuscript containing important records of our past as people from the great ancient Manding Empire".

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