NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

gamma, EMPIRE, Sheer, Sony, Ditto, Boomplay, The Orchard confirmed for ACCES 2023

11 Oct 2023 - 16:32

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Top music execs from gamma, EMPIRE, Sheer, Sony, Ditto, Boomplay and The Orchard, among other leading companies in the global music industry, have been confirmed as speakers for the upcoming ACCES music conference in Dar es Salaam, Tanzania, on 9, 10 and 11 November.

gamma Africa and Middle East president Sipho Dlamini will speak at ACCES 2023 in Dar es Salaam, Tanzania, this November.

Among the experts – programmed to participate in keynotes and panel discussions giving special attention to central aspects of the dynamic African music landscape – is Sipho Dlamini (South Africa) who is the president of Africa and the Middle East for multimedia platform gamma. Dlamini joins ACCES after gamma launched operations in Africa and the Middle East in May. He boasts expertise across various aspects of the entertainment business, including collective management, music publishing and artist development. He was previously the CEO of Universal Music South Africa and sub-Saharan Africa, and before that led the Southern African Music Rights Organisation, the biggest collective management organisation in Africa.

American independent distribution company and record label EMPIRE will be represented at ACCES 2023 by Ezegozie Eze Jr (Nigeria), who is the company’s vice-president of strategy and market development for Africa and the diaspora . The Nigerian executive has more than 11 years of experience focusing on economic impact and ecosystem development in the creative and entertainment industries.

Sheer Publishing Africa managing director Thando Makhunga (South Africa) will also be present at ACCES 2023. Sheer is the largest independent music publisher in Africa, and Makhunga is known for her commitment to championing African music and improving access to information about publishing and creator rights. She will be joined at the music trade show by Sheer Publishing head of A&R Kefiloe Molefe (South Africa), who is a regular panellist at prominent music conferences, and Sheer head of creative and licensing Shiro Mwendwa (South Africa). Mwendwa boasts a dynamic career of 14 years in project management, artist management and corporate communication.

Ditto Music regional manager for Africa Wendy Verwey Bekker (South Africa), who has extensive experience in digital distribution and working with festivals and music tech startups, will provide insight into the music industry’s growth in Africa while offering an alternative to major labels.

Mpumi Phillips (South Africa), director of distribution at Sony Music subsidiary The Orchard, has a long career in music clearance for film, TV and commercials, while Sony Music Publishing managing director Rowlin Naicker (South Africa) will draw from his various roles in music publishing.

Representing the growing music streaming space in Africa, Boomplay brand specialist Faith Hilary (Tanzania) will share her knowledge about the dynamic Tanzanian music industry and supporting the promotion of local artists to create strong brand relationships with music consumers.

More than 400 music businesses from across the globe will be represented at ACCES this year.

Register for ACCES 2023 here. African delegates register for free.

Register for ACCES 2023 workshops here.

View the full conference and showcase programme here.

ACCES 2023 speakers

About ACCES

ACCES is a pan-African trade show for music industry players to exchange ideas, discover new talent and create business linkages. ACCES is held in a different African city every year, attracting active music industry players from across the globe. ACCES is organised by the Music In Africa Foundation, a pan-African non-profit organisation, in partnership with Siemens Stiftung, Goethe-Institut, the Tanzanian Ministry of Culture, Arts and Sports, the National Arts Council of Tanzania (BASATA) and Alliance Française.

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