NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

How to rendezvous with MI Abaga

20 Feb 2018 - 15:26

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The hip-hop party is part of the pop music myth. In 1990s America, Puff Daddy acquired a reputation as quite the party host. In Lagos, Banky W called himself "King of the Lagos Party" and sang a tribute to parties in the city. Over the weekend and in celebration of the album Rendezvous, it was the turn of MI Abaga to play party host.

MI Abaga at his Rendezvous album party. Photos: Chocolate City

The venue was an upscale compound in the Lekki area of Lagos rented just for the night. As with most events in the city, the party started long after the advertised 9pm, and it was until well past midnight that the rapper finally got around to singing tracks from the album.

The night had started with fans and friends of the rapper listening to songs from a DJ. Supported by the brands Lipton and Martel, the Rendezvous party had guests imbibe alcohol as celebrities trooped in, music and talk rending the air.

At some point, MI, who had been taking selfies and photos with the many who asked, took a microphone and began to welcome his musician colleagues. In a sense, he was once again playing curator as he does on the album Rendezvous, which features at least one artist across each of its 15 tracks. He was the night's host and its hype man.

Guests on the album who were guests at the party included Terry Apala, Tomi Thomas, Odunsi, Falz, Yung L and Ghost from rap duo Show Dem Camp. Falz performed his hit 'La Fete', doing a decent stop-and-start version of the shaku shaku dance. Other artists to make an appearance at the event were YCee, Ric Hassani and Ice Prince.

Koker performed 'Kolewerk'. Skales performed 'Booty Language' and 'Temper'. The group Street Money Billionaires performed 'Owo Mi Da'. For these performances, the party moved to the venue's pool, with MI urging his celebrity guests into the water. "Let's party," he said. "Drag somebody into the pool. Nobody is going home well-dressed."

As with his 2017 Love concert, which heralded the still unreleased Love EP, MI was again the recipient of goodwill garnered since the release of his first album a decade ago. 2Baba, one of his frequent collaborators over the years, turned up and disappeared after a few minutes.

By being present from start to finish, and all the while available for chitchat, MI broke free of fame's cage, thereby allowing his famous guests to be just as accessible. And by performing only briefly, he inverted the usual pattern of pop music fame: the rapper was everywhere; his music was scarce.

Still, his words might have left the biggest impression. While asking fans to get the new album, he gave quite the advice. "If you don't have Spotify or iTunes," MI said with a titter, "just download [the album] illegally. Illegal Music 4. We no go vex."

The party had given its attendees food, celebrity sightings and—for anyone needing it—permission to get good MI Abaga music for free. Talk about a generous host.

Get MI Abaga's Rendezvous here

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