NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

Listen to Kobby Graham’s alté playlist

07 Apr 2023 - 09:12

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Ghana’s Kobby Ankomah Graham delivered an interactive music presentation on altè music at the 2022 Music In Africa Conference for Collaborations, Exchange and Showcases (ACCES) in Dar es Salaam, Tanzania.

Amaarae, Worlasi, The Cavemen and Moliy.

The respected DJ and academic explored altè as a response to its more popular cousin, Afrobeats, delving into the history and sonic elements that distinguish the genre while taking stock of its social relevance over the years.

“What was once a label covering a specific subgenre of music from Lagos has since become a catch-all term used to describe genre-pushing music from all over the continent,” Graham, who now serves on the ACCES curation committee responsible for selecting the artists who will showcase at the conference’s 2023 edition, observes.

“This is not even remotely an exhaustive list – and there is an obvious Ghanaian bias here – but this is a sample of the diverse, dope, tricky-to-define music being made by artists from all corners of Africa. Some new, some classic, such sounds are at times kept off radio and labelled ‘underground’ despite the recognisability of some names, when what the music actually does is push the envelope in different little ways, encouraging us all to open our ears and our minds.”

Below, Graham shares a playlist of songs that serve as a window into the enigmatic world of altè.

LIKE IT by Amaarae

Published in 2019, this laid-back R&B song by Ghanaian-American singer Amaarae unfolds as a seductive exploration of sexual liberation and self-confidence themes.

Waves/The Water by Sutra

On the hauntingly beautiful ‘Waves/The Water’, London-based Ghanaian singer Sutra delves into a dreamy, soulful take on the ebb and flow of relationships.

In the Clouds by Adomaa

Adomaa’s ‘In the Clouds’ is a whimsical invitation for listeners to escape into their imaginations.

Body on Fire by Moliy

A confident anthem, this record explores themes of self-love and empowerment, Moliy’s commanding vocals and fierce lyrics thriving over trap-inspired melodies.

Ina Jin by Ayat

This dynamic offering by the Ghanaian rapper attempts to inspire listeners to dance and enjoy the moment while celebrating the joys of life.

Culture by Boj ft. ENNY

A submission by Nigerian act Boj, the groovy ENNY-assisted track is a contemporary take on R&B that celebrates heritage and finds the pair trading unique voice and sharp lyricism about the richness and diversity of culture.

Take My Losses by M3NSA

The record is a powerful reflection on the themes of perseverance and resilience, encouraging listeners to keep pushing through tough times.

Bourdeaux by SuperJazzClub ft. Muthoni, EDWVN, Narah, Tronomie

SuperJazzClub’s ‘Bourdeaux’ is an intricate jazz piece showcasing the band’s musical prowess and honouring collaboration and creative expression.

Rapid Fire by Santi ft. Shane Eagle, Tomi Agape & Amaarae

The energetic track sees Santi teaming up with Shane Eagle, Tomi Agape and Amaarae to deliver a memorable homage to creativity and collaboration, and an outstanding musical moment.

Too Bad by Show Dem Camp ft. Amaarae & Tems

The song unpacks the pain of heartbreak, reflecting on the disappointments that come with love, and coping afterwards.

Rum & Butter by Turunesh

On this record, Turunesh offers an upbeat tune that celebrates the good things in life, with lyrics that centre around indulging in pleasure without guilt.

Teach Me How to Love by The Cavemen

This song by Nigerian highlife duo The Cavemen almost feels spiritual in how it summons ancestral melodies. Thematically, it is a near prayer on how to navigate the world with love.

Inaweza Haiwezi by Blinky Bill ft. M.anifest & Khaligraph Jones

Orchestrated around a party vibe and hip hop bravado, ‘Inaweza Haiwezi’ preaches resilience and perseverance, its artists encouraging listeners to keep pushing through adversity and to never give up on their dreams.

Aura by Sichangi ft. Karun & Jean Deaux

‘Aura’ is a dreamy song that explores the theme of love, with lyrics that prioritise well-being and encourage an urgent celebration of inner beauty.

Thunderstorm in Surulere by Lady Donli

‘On Thunderstorm’, Lady Donli sings about the struggles of dealing with mental health issues, as she shares her personal journey with anxiety and the ways in which she copes with it.

Eyes But No Eyes by M3NSA

The soulful offering touches on the importance of seeing the world through a critical lens, grappling with the themes of social justice, inequality and the need for change.

Leave Me Alone by Amaarae

This track by Amaarae is an anthem for self-care and independence, with lyrics that celebrate the freedom that comes with being able to take care of oneself and live life on one’s own terms.

Butter by AYLØ ft. Sutra & Merry-Lynn

The sensual ‘Butter’ celebrates the pleasures of intimacy, honing in on themes of love, desire and physical attraction.

Caveman (Jeje) by Worlasi ft. Kwabena Kwabena

Worlasi and Kwabena Kwabena explore the themes of self-discovery and identity, reflecting on their journey to finding their place in the world and accepting themselves for who they are.

Never Go Change by Wanlov the Kubolor

The song finds singer-activist Wanlov the Kubolor criticising a lack of accountability by the government, and touching on the importance of staying true to the values that build a progressive society.

Lavapipes to Labadi by Gafacci ft. Kyekyeku

This song fuses traditional African sounds with modern electronic beats, the result of which is a buoyant celebration of the vibrancy and diversity of African dance music.

Listen to the track on Bandcamp.

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