NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Overviews

The live music scene in Kenya

14 Oct 2015 - 07:26

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By Thomas Rajula

According to a 2015 Price Waterhouse Cooper report, consumer spending on live music events in Kenya is set to grow, with a Compound Annual Growth Rate (CAGR) over the next five years of 3.8%. However, the report says live music is the smallest of the three music sectors and by 2017 will only account for 10% of music revenues in the country. This text explores the live music scene in Kenya.

Sarabi Band during a live concert. Photo by Quaint Photography

Festivals

Nowhere else in Kenya is the live music scene as vibrant as it is in Nairobi. Arguably the entertainment hub of East Africa, there’s a big concert almost every month, while weekly live shows are countless. There are countless events and performances that go unnoticed all over the country. A quick browse through any of the local daily newspapers will reveal someone or a band performing at an entertainment establishment somewhere.

The most notable live music event in the country is the annual Kenya Colleges and Schools Music Festival[i], which celebrated its 89th edition over 10 days in August 2015. Traditionally, only African music is played at this event.

Hakuna Matata Festival and Koroga Festival[ii] are among the many events where one can experience live music. Another annual event, the Rift Valley Festival in Naivasha, has taken a break in 2015 but is set to come back in 2016. It is an annual festival that incorporates various forms of art and takes music enthusiasts out of the rather crowded Nairobi music scene.

Some counties have introduced cultural carnivals that run for a week or more. These promote tourism to the counties, as well as cultural exchanges between residents and visitors. For example, Marsabit Lake Turkana Cultural Festival (MLTCF)[iii] is now becoming a permanent fixture on the calendar for residents in Loyangalani town. The Mombasa International Cultural Festival is another good example due to the number of visitors (both local and international) that show up.

With live music performance being an avenue to showcase an artist’s talent, artists have been in the past frustrated by the lack of platforms where to showcase. It was out of similar frustrations that Blankets and Wine[iv] was born. The event, which was initially an afternoon of live music, quickly became a favourite, expanded to the coastal town of Mombasa before gaining popularity in Uganda and Rwanda. Founded in 2008 by artist and entrepreneur Muthoni Ndonga (aka Muthoni DQ), the event emphasizes live band performances rather than ‘playback’ shows using backing tracks. For this, she charged Kshs1000 (just under US$10) so that the bands could get paid. The event became very successful and did more than 50 monthly editions, before evolving into a two-day festival. The new music festival, Africa Nouveau, was held for the first time in September 2015 in Nairobi.

“The Kenyan music consumer has now become very conscious about vocal and instrumental delivery during shows, which prior to felt more like karaoke with a lot of lip syncing or shouting behind the tracks,” says Muthoni of the event’s focus on live music performances.

Corporates have also jumped on the bandwagon. Safaricom, Kenya’s largest mobile phone network, leads the way in this regard. The company has sponsored the annual Safaricom International Jazz Festival[v] since 2014. The festival was created to give Kenyan music lovers an avenue to savour local and international jazz talent. Due to huge public interest in the event, Safaricom has now created the Safaricom Jazz Lounge, a series of more intimate events that lead up to the main festival. Through these events, Safaricom supports Ghetto Classics, a Korogocho-based music programme that seeks to use music education to instill life skills in youth, so far supporting more than 300 youth from the informal settlements.

Jameson Live Party[vi], sponsored by Jameson whiskey, is usually an end-of-year party with live performances by international artists. The 2015 edition takes place at Ngong Racecourse on 12 December.

Nairobi will soon witness the birth of yet another festival. The One Africa festival will be staged at Nairobi’s Kenyatta International Conference Centre on 5 December 2015.

Venues and regular club events

Top venues for hosting music events in Nairobi are Ngong Racecourse, Carnivore Grounds, Mamba Village, Nairobi Arboretum, Safaricom Kasarani Indoor Stadium and Kenya International Convention Centre. Nationwide there’s Machakos People’s Park and Machakos Golf Club in Machakos, Pirates and Mombasa beaches in Mombasa, Diani Beach in Diani, Jomo Kenyatta Sports Stadium in Kisumu and Athletics Club in Nakuru. Cultural centres active in promotion of live music include the local Goethe-Institut and Alliance Francaise in Nairobi.

The music on offer typically reflects the region itself. Bar events usually showcase mostly ethnic/region-based genres locally referred to as Bango or Taarab (from the coastal region), Mugiithi (from the central region) Katitu (from eastern) and Benga (from the lakeside), among others. Media outlets such as Royal Media have been instrumental in the sponsoring club nights.

One popular platform where one can experience live music with the artist performing their own songs (as opposed to cover versions) is the weekly Thursday Nite Live concerts[vii]. Abdi Rashid Jibril runs the hugely popular event in Nairobi under his promotion company Roots International, which has been running now for more than three years. The event is held at Choices Club in Nairobi’s Industrial Area. “For the last four years, Thursday Nite Live has provided music lovers of all stripes, predominantly middle management type professionals, internationals and cultural workers, with great music by the artists themselves,” explains Jibril.

Jibril is expanding the scope of his event. On 20 September 2015, he organized the first Cool Waters Jazz Festival, which featured Aly Keita (Ivory Coast), Kareyce Fotso (Cameroon), Ayub Ogada and Isaac Gem (both from Kenya). “These are platforms for original music, expansion of audience experiences of music and economic means for all involved. We have nice aesthetics, a good sounding room, and various spaces - both indoors and outside - for audiences and TV screens in all those spaces for people to feel part of the concert,” adds Jibril. Besides the event at Choices and now the festival, he is also a production coordinator for Sondeka Festival, a three-day exhibition that celebrates all creative arts, including music and literature, at various locations in Nairobi between September and October.

Another popular live music venue, Pawa 254 in Nairobi hosts Rooftop Sundowner[viii], a great musical experience every first Friday of the month between 6pm and 10pm. The programmer for the event, Sarah Malliah, says Rooftop Sundowner parties provides a platform for authentic, often non-commercial, East African artists who are committed to creating socially conscious music that educates and uplifts society. “We aim to offer audiences with an alternative, memorable musical experience. There is a large community of talented artists in East Africa. However, there are many barriers for these artists to gain country- and region-wide exposure. Rooftop Sundowner aims to mitigate these barriers,” explains Malliah.

‘Live at the Elephant’, on the other hand, takes place on the last Friday evening of every month. The event’s manager, Marvin Maveke, explains the names were to show the proprietors’ support for animal conservation. “The Elephant - previously known as Kifaru (Swahili for ‘rhino’) - serves as office space for Rainmaker Ltd., a music production company. Kenya’s renowned artist Eric Wainaina and Sheba Hirst had been searching for a venue where he would be performing every week. This proved to be very difficult and thus they decided to turn the garden space into a performance venue,” explains Maveke.

The monthly GoDown Gig[ix] is another fun-filled platform designed to showcase local talent at its best, and is open and free for audiences from all over Nairobi. Typically, the gig stages three local bands of diverse styles including Afro-fusion, benga, genge and Afro-jazz.

Rainmaker recently set up a partnership to host an East African artist every quarter to come to Nairobi. Following this agreement, the selected artist will perform from Thursday through to Saturday (at Thursday Nite Live at Choices, Live At The Elephant and The GoDown Gig).

Whether one is looking for homegrown music, hip-hop or reggae, the Nairobi musical will not disappoint. Nairobi Rhapsody is a hip-hop themed event that takes place every Thursday night at Ebony Lounge, located in Nairobi’s Museum Hill area. Buddha Blaze, co-founder and artist developer under Spark Africa, explains why he sees a need to have a purely hip hop event in a sophisticated establishment:

“We’re celebrating hip-hop. I felt there was no place someone from the corporate world could actually go to enjoy hip-hop music. Nairobi Rhapsody tries to give back to the four elements of hip-hop: DJs, artists, break-dancers and graffiti. Sometimes you’ll have one without the others, of course. We don’t like to force anything; everything’s pretty organic. We’re just being authentic to the culture”. Attracting a mature, up-market crowd mainly because of the club’s location, Buddha stresses that everything is about connection; it’s a movement. In 2015 Nairobi Rhapsody has played host to international artists including Talib Kweli, South Africa’s K.O, Erykah Badu and Mos Def (aka Yasiin Bey).

For reggae lovers, Bad Mambo Productions host the Rub-A- dub concerts to introduce UK soundsystem culture to the Nairobi musical panorama. Featuring Caribbean genres ranging from calypso to dubstep and anything in between, the objective is to free people’s perceptions and show that reggae music can be inclusive, forward thinking and enjoyed by all. On 9 October 2015 Bad Mambo hosted Scotland’s Mungo’s Hi-Fi.

Ticket prices vary greatly. While some events are free and cultural centres such as the Goethe-Institut try to keep entry fees to concert at a bearable minimum of around Kshs 500 ($4.85), other events may charge up to Kshs10000 (US$95) or more for live shows, depending on whether the artist is local or international. On average, however, tickets usually have a standard price of Ksh1500 ($14.50), while VIP tickets are usually around Ksh5000 ($48).

Promoters

Besides the promoters already mentioned, Kenya is home to several reputable event management companies. True Blaq[x] was established in 2001 and has been involved in hosting music events such as the annual Extravaganza that features both local and international artists. On 3 October 2015 True Blaq hosted the Morgan Heritage concert at the Kenyatta International Conference Centre. HomeBoyz Entertainment Limited[xi] was formed in 1992 as a small DJ agency catering for weddings and house parties. The company has since grown to be one of the biggest and most influential entertainment companies in the region. MoSound Events[xii] was formed in 2004 and has been instrumental in organizing music events such as the annual Groove Awards.

The above promoters, festivals, venues and club events provide a brief overview of Kenya’s thriving live music scene.

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