NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

Midem Africa to shine spotlight on continent’s music sector

15 Jun 2021 - 15:30

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The African music industry is set to benefit from the upcoming Midem Africa digital event, which will be streamed for free via the Midem website from 28 June to 1 July. Midem Africa is touted as the first pan-African digital music event designed to shine a spotlight on the continent’s most vibrant music markets.

Nigerian artist Mr Eazi will be among the participants at this year’s Midem Africa.

With less than two weeks to go before the music trade show roars to life, the organisers have unveiled a programme featuring a host of activities including presentations, keynotes, panel discussions, networking and business accelerator sessions. The event is expected to provide opportunities and tools to help accelerate the careers of artists and music professionals in Africa.

“It’s been great to see the conversations and connections sparked during the Midem African Forum series, which we’ve hosted on the continent for the past three years,” Midem director Alexandre Deniot said. “So I’m delighted to launch this year’s Midem Africa, the very first pan-African digital music event. It will be a truly unique event, accessible to all and free of charge. My aim is to allow African professionals to benefit from real business opportunities, with support in education and professionalisation, and to highlight the continent’s talent. I can’t wait to see the music community connect with each other, both regionally and internationally.”

The event will kick off with a presentation by MRC Data vice-president Helena Kosinski (UK) titled Africa’s Role in a Global Music Marketplace. Kosinski will use the platform to share her knowledge about the continent’s current music trends and provide a deep dive into the Afropop genre across the world. Another presentation titled What’s Hot in African Music Right Now will follow afterwards, with speakers expected to be announced in due course.

The keynote addresses will provide insight into the evolving African music industry, discover why African artists are currently reaching wider audiences worldwide and analyse the challenges faced by artists during their journey to success.

Confirmed speakers include musician and emPawa Africa founder of Mr Eazi (Nigeria), Warner Music South Africa managing director Temi Adeniji, EMEXTEE founder and CEO Thabiso Khati (South Africa), Warner Music Group managing director Moe Hamzeh (Lebanon), Warner Music Group president Alfonso Perez-Soto (US) and YouTube Urban Music director Tuma Basa (US).

Buzzing panels

Midem Africa has also programmed panel discussions that will see some of the continent’s leading artists and executives share information about the key trends and most exciting stories from their markets. The panels will seek to define a common vision to build a sustainable African music industry and support the growth and internationalisation of African music markets.

Vanessa Mdee (Tanzania), Fally Ipupa (DRC), SOSELA director Nothando Migogo (South Africa), IFPI regional director for sub-Saharan Africa Angela Ndambuki (Kenya), Sony/ATV Music Publishing South Africa A&R manager Munya Chanetsa, Google West Africa head Juliet Emihuan (Nigeria) and artist and Music & Tech Space founder Bez Idakula (Nigeria) are among the panellists who will share their knowledge and experiences on topics like Fostering a Pan-African Music Industry, Overview of the Music Tech Ecosystem in Africa and Globalisation of Local Genres: The Jerusalema Story.

“I am really looking forward to learning more about unique business opportunities across Africa, interesting insights, trends and also new artists popping up on the scene,” Idakula said. “The value I’m bringing is more than 13 years of experience in the Nigerian music industry and also new ideas on building communities and exploring the music tech ecosystem in Africa.”

Migogo is hoping that the conversation at Midem Africa thoroughly probes areas of copyright in Africa. “An ecosystem is only as healthy as its weakest parts, so I’m hoping the challenges faced by our copyright ecosystem are afforded the same spotlight as its wins and successes, which of course must be duly celebrated. Overall, I’m looking forward to good and robust conversations,” she said.

Business accelerator sessions

The business accelerator sessions at this year’s event will focus on talent development and exploring the key to success of the African music industry. They will help and support those in the DIY sector to navigate an ever-changing but exciting environment, including how to monetise music, why entourage is key to success and how to leverage business opportunities.

Downtown Music Holdings senior vice-president David Alexander (South Africa), who will participate in the How to Monetise your Music session, said: “As this edition of Midem Africa is online and the costs for attendees are just their data and time, I am expecting an increased attendance by African delegates who are enthusiastic about getting their careers elevated to the next level. I expect some of the biggest companies in the African music business to be participating and networking with representatives of the largest global companies that are suddenly very interested in what is happening in the African music market.”

Participants at Midem Africa’s business accelerator programme will include Mr Eazi, Tresor (Congo), Shekhinah (South Africa), Cabo Verdean Music Society president Solange Cesarovna, Horus Music head of operations Abisoye Obayan (Nigeria), TikTok Africa music operations manager Yuvir Pillay (South Africa) and Afrobeat Network director Nosa Dag (UK).

“This year I am expecting to connect and exchange innovative ideas with creatives and executives from around the world,” South Africa-based Congolese musician and producer Tresor said. “I will be sharing my experience as a musician and entrepreneur in Africa and how to maximise on the incredible global spotlight our continent currently has. I will also be touching on music and brand opportunities.”

Networking

Midem Africa’s networking segment will provide industry players with an opportunity to network with various members of the international Midem community by organising individual meetings or joining official networking sessions. The sessions will feature international publishers and music supervisors who will help artists maximise their music catalogues. PopArabia founder and president Spek (UEA) and Active Music Publ’s John Fishlock (South Africa) will be among the preselected networkers.

“I am very excited about this year’s Midem Africa,” Chanetsa said. “It was an honour to be invited to talk on two panel discussions and to share the insight and knowledge that I have. Personally, as an industry expert, the networking opportunities are the most key for me so that I can connect with other African industry experts. I am very excited about that. I guess my one hope is that Africa really takes notice of such things. I encourage everyone to register and connect.”

South African singer Shekhinah said: “From this year's Midem event, I am expecting to have conversations and connect with artists whom I usually wouldn’t be in the same space as. The digital space has really given me more access than ever before. I would love to bring all the things I have learnt in the past few years as a female artist and entrepreneur in the music industry in Africa and to share that knowledge.”

Register here to take part in the Midem Africa trade event. Download the full Midem Africa programme below in PDF.

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