NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Music video ban: Group calls for P-Square arrest, Nigerian artists respond

19 Jul 2017 - 13:05

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Peter Okoye’s reaction to the Nigerian government’s plan to restrict shooting of videos abroad by its artists has led to a call for his arrest.

A group has called for the arrest of Peter Okoye of P-Square. Photo: DFP

Okoye of the duo P-Square had responded to the planned ban on music videos on social media, saying, “Dear Federal Government, for your information all the shame you bring to this country are covered by Nigerian entertainers.”

In response to his response, the APC youth renaissance group (with no clear relationship to the political party All Progressives Congress) has said Okoye should be arrested. “How dare you say that P-Square?” asked the group.

Reminding Okoye of a past dominated by music from foreign artists, the group said, "Where was Peter Okoye or [the] Psquare brand in 1999 when foreign music dominated our airwaves? If not for the government policy which mandated all broadcast stations in Nigeria to pay attention to Nigerian music by playing 95 percent of Nigerian songs every day, would Peter Okoye or Psquare be known to anybody in Nigeria today? Or would they have competed with better American music which dominated our airwaves then?

“Now that government has intervened to raise great and better entertainers again, Peter Okoye has the gut to insult the entire Federal Government by calling our great leaders 'Ndi Ala' which means mad and stupid people. We, therefore, urge the security agencies in the country to arrest Mr Peter Okoye for disrespecting our government and bringing it to a disrepute. If you cannot produce in Nigeria and hire Nigerians, then leave the industry. We must export Nigerian culture to the outside world through our music and videos.”

Besides P-Square, other artists have spoken against the plan. Yemi Alade wrote, “So all the money artists have spent shooting videos that are yet to be released will be refunded abi? An economy/industry that has gotten thus far without your one dime or assistance is what you want to nip so insensitively.

“So will you sponsor the unavoidable travel expenses to Naija of the international acts we have featured on our songs? You might think that a musical video is just “a thing” we do!!. It’s a business! you don’t understand!”

Rapper Ruggedman also responded to the ban. “Nigerians who are not related to any rich family are on their own,” he said. “Entertainment that has kept a lot of Nigerians off the street is what you want to try to destroy. You haven't helped us fight pirates. You haven't helped us get our royalties. You have not set up anything to help the Nigerian entertainment industry.

“Meanwhile the budget to run the Nigerian Senate this 2017 is N215billion.Amenities we lack are a few of the reasons some entertainers go outside the country to shoot music videos and movies. Now you want to try to stop that? Please do not make me laugh.”

On Twitter, Ruggedman tweeted a response to the call for Paul Okoye’s arrest: “The federal government did not order @PeterPsquare’s arrest. It’s Collins Edwin, National Secretary APC Youths that’s ordering the government to.”

Peter Okoye then responded to Ruggedman’s tweet. “Abeg make im order pounded yam and goat mean join for the arrest,” he wrote. “I know those youth will start from 70 and above.” [Translation: Please let him also order for pounded yam and goat meat along with the arrest. I know members of that youth group are age 70 and above.]

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