NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Nairobi to host second edition of ‘Women In Music’ concert series

11 Jul 2016 - 08:57

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After a successful debut in April, the second edition of the Women In Music concert series returns to the Goethe-Institut Nairobi on Saturday 16 July.

Kenyan artist Sage. Photo: www.mashada.com

Women In Music is a regular platform for young women to showcase their stage performance skills through regular live shows. It typically features three performers staging an acoustic performance of their songs. The first concert took place in April with a line-up of Maia von Lekow, Mishel Muriuki and Prisca Ojwang'. The series is aimed at promoting mentorship and encourage cross-genre collaborations between upcoming and established female musicians in order to propagate unity, cooperation and solidarity within the broader society.

The July edition brings three versatile female performers together on one stage: Sage, Sali Oyugi and Navalayo Nazzva.

Born Barbra Chepkoech Ng’eno, Sage got her first break when she became the backing vocalist and keyboardist for Muthoni the Drummer Queen, with whom she was able to hone her skills before embarking on a solo career in 2011. Since the 2013 release of her hit ‘So Alive’, a collaboration with popular Kenyan rapper Octopizzo, Sage went on to release ‘Maskini’ as well as various collaborations with other Kenyan acts, including rap group One-Two-Five and Jay A, with whom she released the hit ‘Dumbala’. In April 2016 she released a 13-track solo album, Expose Yourself.

Sali Oyugi is a singer/songwriter and social activist with a dual heritage from her Kenyan father and Tanzanian mother. In 1997 Sali was in the UK to performed at a solar energy convention, where she met renowned Kenyan artist Ayub Ogada, who encouraged her to continue pursuing her music career. After this trip, Sali released her first solo project, a three-track EP that received rave reviews and frequent airplay in Nairobi. Her first album Vuma! was released in 2002 and got similarly strong reviews and media coverage. It was followed in 2007 by The Return: Journey Back to the Source and Uromo, recently mastered at Ketebul Music Studios. Sali has also founded an NGO, Leko Arts Initiative, which trains children from poor neighbourhoods in Kenya.

A relative newcomer on the scene, Navalayo Nazzva will bring a dose rock, jazz and classical influences to the evening. An alumni of the Nairobi-based Sauti Academy, Navalayo has been performing since the age of nine and confesses to being in loved with the bass guitar as much as the violin, cello and opera music. She replaces Ythera, who was initially scheduled to perform at the event.

The concert kicks off at 7pm and the entry fee is KES 500. For updates and more details visit the Facebook event page.

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