NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Nathi crowned king of the SA Music Awards with five trophies

06 Jun 2016 - 09:59

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South African singer Nathi scooped five awards at the 22nd annual South African Music Awards (SAMAs), which took place in Durban on Saturday 4 June.

Nathi Mankayi won four SAMA trophies. Photo: SAMAs

The Eastern Cape-born hitmaker, whose album Buyelekhaya and its hit single ‘Nomvula’ came like a breath of fresh air to the SA industry, picked up trophies for Best R&B/Soul/Reggae Album, Best Newcomer, Best Male Artist, Best-Selling Full-Track Music Download and Best-Selling Album of the Year.

He was followed by globe-trotting DJ and producer Black Coffee, with four trophies on the night: for Best Dance Album, Best Engineered Album and Album of the Year for Pieces of Me, as well as the International Achievement Award in recognition of his meteoric rise in the global dance scene.

Nathi and Black Coffee's triumph may have come as little surprise, as the duo led the nominations that were first revealed in April alongside rising rappers Riky Rick and Emtee and songbird Zonke Dikana. While Riky Rick left empty-handed, Emtee converted one of his four nominations into a win in the fiercely contested category of Best Rap Album. Building on his success at the Metro FM Awards earlier this year, the rapper also won the highly contested Amstel Record of the Year award, the only public voting category of the night, for ‘Roll Up’.

Zonke meanwhile took home the laurels in the Best Female Artist category, while two of her fellow nominees in that category, Judith Sephuma and Zahara also claimed one SAMA statuette apiece – for Best Adult Contemporary Album and Best Produced Album (for producer Robbie Malinga) respectively.

More surprising perhaps was that long-time kwaito heavyweights Big Nuz were named Best Duo/Group of the Year, as well as winning the Best Kwaito Album honours for For the Fans. Another Durban kwaito act, Dbn Nyts, scooped three awards for their monster single ‘Shumaya’: Best Collaboration, the SAMPRA Highest Radio Airplay Award and the SAMRO Composers’ Award for Highest Radio Airplay. Another big winner on the night was controversial gospel artist Sfiso Ncwane,who raked in three SAMAs for his smash hit single ‘Bayede Baba’: Best-Selling Music Download, Best-Selling Ring-Back Tone, and the CAPASSO Composers’ Award for Best-selling Digital Download. Ncwane’s album won the Best Traditional Faith Music Album category at last year’s SAMAs.

Two South African-based artists of Congolese descent also scooped awards, with Petite Noir claiming victory in the Best Alternative Album category for La Vie Est Belle/Life is Beautiful, and Tresor winning the race for Best Pop Album with VII.

Other winners on the night included Marcus Wyatt and the ZAR Jazz Orchestra (Best Jazz Album), Desmond & the Tutus (Best Rock Album) and Dizu Plaatjies & Friends (Best African Adult Album), while Grammy-winning flautist Wouter Kellerman made it his second SAMA in a row in the Best Classical and/or Instrumental Album category. Gospel supergroup Joyous Celebration claimed success in the Best-selling DVD category, while the Best Music Video trophy went to a collaboration between Afrikaans rapper of Jack Parow and Freshlyground, the James Bond-styled ‘Army of One’.

Lifetime Achievement Awards were given to late legends Nana 'Coyote' Motijoane and Bhekumuzi Luthuli, as well as fellow struggle stalwart Roger Lucey.

The SAMAs, which were held for the first time in the coastal city Durban, saw an array of spectacular live performances and electrifying mash-ups that kept the energy levels and anticipation at fever pitch throughout the evening. The ceremony was broadcast live on SABC1.

“We extend our warmest congratulations to all the nominees and victors, but in truth, South African music was the real winner here tonight,” said SAMA CEO Refiloe Ramogase. “The quality of the recordings and live performances celebrated at #SAMA22 bears testimony to the fact that South African music is in a highly innovative, world-beating and dynamic place at the moment. It certainly appears that the sky’s the limit for our exceptional community of South African musicians.”

The full list of 2016 SAMA winners is as follows:

  • Album of the Year: Black Coffee - Pieces of Me
  • Duo or Group of the Year: Big Nuz - For the Fans
  • Female Artist of the Year: Zonke - Work of Heart
  • Male Artist of the Year: Nathi - Buyelekhaya
  • Newcomer of the Year: Nathi - Buyelekhaya
  • Best Rock Album: Desmond & the Tutus - Enjoy Yourself
  • Best Pop Album: Tresor - VII
  • Beste Pop Album (Afrikaans): Karlien van Jaarsveld - My Hartjie
  • Best Adult Contemporary Album: Judith Sephuma - One Word
  • Beste Kontemporêre Musiek Album: Elvis Blue - Êrens in die Middel van Nêrens
  • Best African Adult Album: Dizu Plaatjies & Friends - Ubuntu – The Common String
  • Best Alternative Album: Petite Noir - La Vie Est Belle/Life is Beautiful
  • Best R&B/Soul/Reggae Album: Nathi - Buyelekhaya
  • Best Rap Album: Emtee - Avery
  • Best Kwaito Album: Big Nuz - For the Fans
  • Best Dance Album: Black Coffee - Pieces of Me
  • Best Traditional Faith Music Album: TYGC Family - The Journey Begins
  • Best Contemporary Faith Music Album: Ntokozo Mbambo - Spirit and Life
  • Best Maskandi Album: Imithente - Ichakijana
  • Best Jazz Album: Marcus Wyatt & the ZAR Jazz Orchestra - One Night in the Sun
  • Best Classical and/or Instrumental Album: Wouter Kellerman - Love Language
  • Best Live Audiovisual Recording: Jimmy Dludlu - Live at Emperors Palace
  • Best Collaboration Dbn Nyts ft. Zinhle Ngidi & Trademark – ‘Shumaya’
  • Best Music Video of the Year: Jack Parow & Freshly Ground – ‘Army of One’
  • Best Produced Album of the Year: Zahara - Country Girl
  • Best Engineered Album of the Year: Black Coffee - Pieces of Me
  • Best Remix of the Year: DJ Sliqe - Do Like I Do Remix

Special Awards:

  • International Achievement Award: Black Coffee
  • Lifetime Achievement Awards: Nana Coyote (posthumous), Bhekumuzi Luthuli (posthumous), Roger Lucey
  • Best-Selling Album: Nathi - Buyelekhaya
  • Best-Selling DVD: Joyous Celebration - Volume 19: Back to the Cross
  • Best-Selling Overall Music Download: Sfiso Ncwane ‘Bayede Baba’
  • Best-Selling Music Download (Ring-back Tone): Sfiso Ncwane – ‘Bayede Baba’
  • Best-Selling Full-track Music Download: Nathi – ‘Nomvula’
  • SAMRPA Award for Highest Radio Airplay of the Year: Dbn Nyts – ‘Shumaya’
  • SAMRO Composers Award for Highest Radio Airplay: Samkele Maphumulo, Kabelo Masekane, Cebo Ngcobo, Wanda Shabalala and Lwazi Yokwana for ‘Shumaya’ by Dbn Nyts
  • CAPASSO Composers’ Award for Best-Selling Digital Download: Sfiso Ncwane – ‘Bayede Baba’
  • Amstel Record of the Year: ‘Roll Up’ by Emtee

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