NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Nigeria is a dictatorship with a democratic face – DJ Switch

19 Nov 2020 - 16:16

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Nigerian musician DJ Switch says Nigeria is a dictatorship with a democratic face, following last week’s reports that she had fled the country due to threats on her life.

DJ Switch.

DJ Switch was speaking to a CNN reporter in an interview on 18 November. The musician said she started receiving the death threats after last month’s deadly #EndSARS protest, which the DJ had livestreamed to her Instagram followers.

The singer recounted how peaceful protestors at the venue were met with gunfire shots from soldiers without warning, resulting in multiple deaths. She also suggested that sharing footage of the incident had made her a target and eventually prompted her to flee the country out of fear.

“The Nigerian army that is supposed to protect us came with no warning,” she said. “They just came with guns blazing. We heard gunshots from behind the [Lekki] toll gate, with people running. So, what we did was to sit down, stay still and wave our flags. We believed that if we waved our flags they would see that we were not there to cause any harm or trouble and we were just protesting as is our right.”

DJ Switch also said that after the army left the scene, police personnel including members of the now disbanded Federal Special Anti-Robbery Squad unit more commonly known as SARS, showed up and also started firing shots at the protesters. In an earlier Instagram video recounting the incident, DJ Switch claimed that at least 15 people died during the shooting and accused soldiers of stealing dead bodies to hide the evidence.

The Nigerian army has denied firing live rounds during the protest at the Lekki Toll Gate. However, Lagos State governor Babajide Sanwo-Olu on 26 October told CNN that the military was responsible for the violence at the toll gate and the two deaths that had occurred. The chief of army staff Lieutenant General Tukur Buratai claimed there was no foul play by his men. “Let me assure you and all Nigerians that the Nigerian army is a professional. We follow our rules of engagement,” he said.

Government's attempts to resolve the unrest have included the dissolution of the SARS unit, ongoing investigations by the Lagos State government and pledges of police reforms by Sanwo-Olu and inspector-general of police Mohammed Adamu. But there's been widespread scepticism among the public about the efforts.

On 17 November, President Muhammadu Buhari promised to prevent future protests by engaging all stakeholders in continued dialogue, but that too has been questioned by the public.

“I do not hold what the president of the Federal Republic of Nigeria says to heart,” Switch said. “Nigeria is a dictatorship with a democratic face. I think that is primarily to please the international community. It is our right to protest for the change that we demand.”

She added: “This government has used force from the beginning. They started with infiltrating a peaceful protest with things but that did not work. Then they moved to bring the military in. So, the same government that says that it has banned SARS for close to four years are saying that it wants to have a dialogue. The president has not even addressed the incident that happened at the Toll Gate so I do not take his words to heart. They must show accountability.”

Additionally, DJ Switch said that although the recent events have disrupted her career, she remains committed to telling her story. The musician also hopes to return home soon.

Meanwhile, Nigerian musicians have shown support and solidarity in the #EndSARS protests, leading peaceful demonstrations and lending their voices on social media. Rapper MI Abaga this week partnered with insurance company Tangerine Life to launch Project Life, an initiative that includes the sale of insurance policies and doubles up as a relief fund for #EndSARS victims. Last month, Burna Boy also launched a fund targeted at the victims of police brutality in Nigeria.

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