NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Nigeria: Woman alleges Burna Boy involved in Speed Darlington’s disappearance

08 Oct 2024 - 14:59

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In a video that has now gone viral, a woman claiming to be the mother of Nigerian musician and socialite Speed Darlington is appealing to the public and Afrobeats superstar Burna Boy for assistance leading to the safe return of her son, who has been reported missing for days.

Nigerian musician and socialite Speed Darlington.

The woman, who identified herself as Miss Queen, suggests that Burna Boy and his team are involved in Speed Darlington’s disappearance.

She claims that Speed’s gateman contacted her family to inform them that her son had been picked up, alleging it might be related to a video Speed made weeks ago about Burna Boy.

“His gatekeeper called my family and notified them that there’s a video that was made and put on the internet about Burna Boy,” she explained. “Please, Darlington is my only son. I am begging my fellow Nigerians  –  everyone should help me beg Burna Boy,” she stated.

Meanwhile, local activist and lawyer Deji Adeyanju, has revealed via X that Speed Darlington is being detained by the Nigerian Police Force. “We just spent the last 30 minutes with Speed Darlington, and he recounted how he was arrested in Lagos last Friday, moved around, and eventually brought to Abuja, where he has been detained since. We can confirm that the petition against him was written by Burna Boy.”

In the video linked to his disappearance, Speed Darlington suggests there might be more to Burna Boy’s 2021 Grammy win for his fifth album Twice as Tall than meets the eye, playfully questioning how much effort  –  specifically referencing oil  –  went into earning the award.

This comment connects to the recent federal indictment against American rapper, record producer, and record executive Sean John Combs, also known by his stage name Diddy, which included alarming allegations of physical, emotional, and sexual abuse, as well as the seizure of over 1 000 bottles of baby oil and lubricant from his homes.

Speed insinuates that Burna Boy might have had to make compromises in his dealings with Diddy, who is credited as an executive producer of Twice as Tall, alongside Burna Boy and his mother, Bose Ogulu.

Both Speed Darlington, born Darlington Okoye, and Burna Boy, born Damini Ebunoluwa Ogulu, are not new to controversy. The former gained fame for his humorous, often controversial posts on social media, particularly on Instagram, where his signature phrase “bang da dadang” has become well-known. In June 2022, reports surfaced alleging that Burna Boy’s aides shot at partygoers in a Lagos club after a woman declined to interact with him.

Neither local authorities nor Burna Boy have issued public statements about the situation.

This is a developing story...

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