NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

SA mourns death of Black Cat Bones singer Kobus de Kock Jnr

16 Oct 2023 - 10:52

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South Africans are mourning the death of The Black Cat Bones singer Kobus de Kock Jnr who died on 12 October.

The late Kobus de Kock Jnr. Photo: Mediatek Photography

De Kock Jnr, whose cause of death has not been officially confirmed but seems to be the result of a suicide, died aged 41. The Black Cat Bones guitarist André Kriel confirmed the news saying the band “will remember him for his sincerity, his love for his fellow man and his absolute passion for music.”

“This week is Fabian Sing’s birthday as we say goodbye to Kobus de Kock Jnr and I think of Fourie Smit. To all my sensitive artist friends, please don’t stay silent when all is dark and hopeless,” The Narrow singer Hanu de Jong said on Facebook, mentioning other South African music professionals who are reported to have committed suicide. “The darkness might act like a muse and is too often very familiar, but it needs to be acknowledged and let go. Grab a loved one or anyone you trust and tell them what you feel. It will get better! This is not the way it will always be!”

Many others also paid tribute to the late musician:

“A legend. An icon. Thank you for the music, Kobus de Kock Jnr,” Spotify Africa wrote on social media.

South Africa-based Mozambican musician Pedro Barbosa wrote: “You were angry on stage, but soft hearted outside the stage. I’m not going to ask why this happened. We all know why. I just hope you found your peace now my bud and I will remember you in the fondest craziest memories.”

Radio DJ Kerry-anne Allerston wrote: “I think Koobs knew how much he was loved but I’m not sure he knew just how phenomenal he was. How very talented. How many lives he changed and touched. He loved hard. He loved his beautiful twins so much. His family and friends. His band of brothers André, Bungy and Casey.”

De Kock Jnr developed a deep appreciation for music from an early age. In 2007, he co-established The Black Cat Bones, a band that became synonymous with the blues-rock scene in South Africa. In addition to singing, he played the guitar, harmonica and piano. He was also a member of South African rock supergroup Blood Brothers.

The Black Cat Bones have released five albums to date, with their 2019 offering Here Is a Knife securing a South African Music Awards nomination for Best Rock Album. Their latest collection Book of Miriam was released in 2022. The band has graced numerous festivals and venues across the country.

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