NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Shatta Wale addresses VGMA 2019 clash

22 May 2019 - 15:02

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Following the much-reported clash between Shatta Wale and Stonebwoy at the 2019 Vodafone Ghana Music Awards, the former has released an apology.

Shatta Wale has addressed the VGMA 2019 incident.

In a statement sent to local media by the artist's team, the reggae-dancehall act apologises to the event's organisers, its viewers and fans, saying the incident was caused by a misunderstanding.

"As planned and communicated to the organisers on the morning of the event, Shatta Wale was going to sit amongst his fans in the standard ticket section of the auditorium," the statement reads.

"Due to circumstances beyond the control of the team, Shatta Wale arrived at the venue after the event had started and had been announced as the winner of two categories (Reggae Dancehall Song of the year and Highlife Song of the year).

"This accounted for Shatta Wale’s inability to receive the awards he won himself. After the announcement of the winner of the Reggae Dancehall Musician of the year category, Shatta Wale decided to reposition to the VIP section to meet his father and a dignitary who had asked to see him. A member of his entourage then suggested to him to join Stonebwoy on stage to congratulate him on his win in the spirit of unity, as he had done at the 2015 4Syte Music Video awards.

"He agreed and asked his security team to lead him onto the stage only to be met with confrontation instigated by Blakk Cedi [Stonebwoy's manager]. We wish to state that Shatta Wale accepted a call from Charterhouse [the organisers] to join forces to make the 20th anniversary of the VGMA memorable and has over the period demonstrated his commitment to this course by performing at the VGMA Nominees Jam in Kumasi and VGMA Experience Concert at the Independence Square.

"Shatta Wale extensively campaigned for votes and promoted the anniversary celebration using his various social media platforms. It will be very illogical for him to deliberately act in a manner to ruin and mar the same event he has spent a lot of resources to promote and urged his fans to attend. Shatta Wale meant no harm and considers this incident as unfortunate."

Ghanaian media have been awash with reactions from the culture and entertainment space since the incident. One of the prominent figures to speak about the incident is the country's culture and tourism minister Barbara Oteng-Gyasi, who shouldered some of the blame.

"There was a little failure on our part as the Ministry and the organisers," she said during a radio programme. "Prior to the event, we noticed some banter between the fans of the musicians on social media. It would have been better if they [Charterhouse] engaged them...Let’s all remain calm and control the damage so no one is hurt."

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