NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

Top 10 bongo flava songs of 2019

16 Sep 2019 - 16:02

cc-img flag-img

Well past the year's midway point, we've had exciting new music coming out of Tanzania, incluing amazing ballads and irresistible dancefloor hits. The local music scene started off on a slow note with most heavyweights not releasing music until March.

Harmonize, Nandy, Shetta X and Diamond Platnumz.

Following our picks for this year's Top 10 bongo flava songs of January and February, we have curated a general list of some of the best Tanzanian songs of 2019, ranging from bongo flava to traditional hip hop and singeli.

Be sure to check back, as we will be updating this list until the end of the year.

10. 'Bugana' by Bill Nass ft. Nandy

This song by Nandy and rapper Bill Nass was released on 30 August and is doing pretty well on YouTube in terms of views.

9. 'Wiper' by Chege ft. Roma Mkatoliki

'Wiper' is Chege's second release after a one-year hiatus. He collaborates with controversial rapper Roma in the single, which was released on 3 September 2019. His first release of the year was 'Manjegeka' featuring top Tanzanian singer Vanessa Mdee.

8. 'Wife' by Aslay

This song is about soaring love, so trust Aslay to get your romance needs signed, sealed and delivered. What's more charming than a man singing about how safe he feels in his woman's arms? Even more so when that man's voice is Aslay's.

7. 'Wapoloo' by Weusi

Weusi is a hip hop collective made up of Joh Makini, Bonta, G Nako, Lord Eyes and Nikki wa Pili. Although they are each solo artists, they seem to work even better as a group. They have set the bar high for large crews since releasing their first single in 2018.

6. 'Chibonge' by Abbah ft. Marioo, G Nako and Byter Beast

Every girl needs this song on her playlist. It's meant to make women proud of their bodies, regardless of how they look or how much they weigh. 'Chibonge' is relevant, especially with body shaming being such a topic in today's world.

5. 'Pepeta' by Rayvanny and Nora Fatehi

This song, which features Canadian singer, dancer, model and actress Nora Fatehi, does not just want make you want to dance – it demands it! 'Pepeta' will be played in the region's dance clubs all year round and although it is not Rayvanny's biggest hit, it's popular for its dance instructions and brass stabs.

4. 'Tumepoteza' by Darassa ft. Maua Sama

As the saying goes, 'No money, no love. 'Tumepoteza' is a story of a man who got dumped because he was poor. He now has to nurse a broken heart as his lover drives off with her new Mr Money Mags.

3. 'Kainama' by Harmonize, Burna Boy and Diamond Platnumz

Diamond Platnumz and Harmonize are two of the biggest male stars in the East African music scene right now. The two, who have worked on several hits together in the past, brought us 'Kwangaru' in 2018 and it turned out to be one of their best. The video is excellent too. So when they decided to work together with Burna Boy, the result was always going to be a hit.

2. 'Kanyaga' by Diamond Platnumz

After featuring Congolese singer Fally Ipupa on 'Inama', which now sits on YouTube on more than 8.2 million views, Diamond Platnumz is undoubtedly the king of East African music. In 'Kanyaga', he gets a free pass, and the video would have been great were it not for a scene in which a muscular man physically assaults a woman in what is meant to be a dismissal of the 'slay queen' culture. The scene could be perceived as approval of violence against young women.

1. 'Uswahilini' by Shetta X and Mzee wa Bwax

'Uswahilini' is a perfect example of a successful cross-genre collaboration. Here is a rare partnership between of bongo flava's beats and singeli's turbo-fast interlocking loops. The result? Pure enjoyment!

Please log in to post a comment.

Most popular

Disclaimer: Music In Africa provides a platform for musicians and contributors to embed music and videos solely for promotional purposes. If any track or video embedded on this platform violates any copyrights please inform us immediately and we will take it down. Please read our Terms of Use for more.

newsletter banner

Subscribe to our monthly Newsletter

Follow us on social media