NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

Top Naija songs of 2022

21 Feb 2022 - 14:00

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Nigerian pop artists are arguably the most talked about in sub-Saharan Africa, and have enjoyed the lion’s share of fame, streaming numbers and collaborations with international counterparts. Led by the Afrobeats rubric, the Nigerian pop sound, which is becoming more and more popular around the world with every release, is constantly expanding beyond dance-ready rhythms to include emo pulses, street vibes, amapiano and even hip hop. 

Aṣa, CKay, Rema and Fireboy DML.

A key observation that can be made from the country’s music space is how the big stage is being shared by historical innovators and emerging pathfinders alike.

Music In Africa’s West Africa desk brings you our annual compilation of Nigeria’s biggest tracks, which will be updated throughout the year for your listening pleasure.

Last Last by Burna Boy

Ahead of his 2022 album Love, Damini, Grammy winner Burna Boy sings of heartbreak in ‘Last Last’, a joint that samples American artist Toni Braxton’s 2000 single ‘He Wasn’t Man Enough’.

Buga by Kizz Daniel ft. Tekno

Kizz Daniel and Tekno, two of Afropop’s most potent hook merchants, join forces on ‘Buga’, an infectious party jam whose widespread success seems to have introduced its authors, particularly Kizz Daniel, to renewed global attention. Thematically, ‘Buga’, which currently boasts over 16 million YouTube views, invites its listeners to take time off to celebrate their milestones.

Palazzo by DJ Spinall ft. Asake

Ace DJ and producer Spinall enlists Asake on ‘Palazzo’, which not only perpetuates DJ Spinall’s run as a hit curator, but also Asake as a new industry staple. The record was produced by Magic Sticks.

Zazoo Zehh by Poco Lee ft. Olamide and Portable

Dancer and hype man Poco Lee’s ‘Zazoo Zehh’ is responsible for neo-Fuji singer Portable’s big break. Released to nationwide acclaim in the twilight of 2021, the track, which also guests seasoned rapper Olamide, invites vibrant dancing and honours the pulsating street vibe that has been central to Nigeria’s mainstream.

Overloading (Overdose) by Mavin ft. Crayon, Ayra Starr, Ladipoe, Magixx, and Boy Spyce.

As part of events marking Mavin Records’ 10-year anniversary, the label shares ‘Overdose’, a love-centred song that parades a number of artists on the Mavin roster, including Crayon, Ayra Starr, Ladipoe, Magixx and Boy Spyce. The song is a precursor to a compilation album due later this year.

Follow You by Fiokee ft. Chike and Gyakie

On ‘Follow You’, veteran guitarist and producer Fiokee enlists two of Afrobeats’ favourite singers in recent years – Nigeria’s Chike and Ghana’s Gyakie. The track is off Fiokee’s long-awaited and star-studded debut LP Man, and celebrates romantic love.

Omo Ope by Asake ft. Olamide

This earworm is the lead single off songster Asake’s Ololade EP. The features Olamide, who also heads YBNL, the record label to which Asake is signed.

ODG by Eltee Skhillz

These days, TikTok is key to a record’s success, and Eltee Skhillz’s ‘ODG’ is the latest jam to be catapulted by the video-sharing platform’s virality. ‘ODG’ is taken off the singer’s Body of Work EP.

Peru by Fireboy DML ft. Ed Sheeran

English singer Ed Sheeran offers a fresh verse on Fireboy DML’s smash hit ‘Peru’. The track is produced by Shizzi, who is popular for his extensive work with the likes of Davido and Wizkid. Like the original version, the latest official iteration of the song is defined by an enduring party groove invoked by spare percussion work and an ultra-fine melody.

Trouble by Basketmouth ft. 2Baba and Blaqbonez

This impressive Duktor Sett-produced song is the lead single off comedian Basketmouth’s sophomore LP Horoscopes. Released to critical and commercial acclaim, ‘Trouble’, which is humorously themed around minding one’s own business, is a great entry point into Horoscopes, which in turn highlights Basketmouth’s curatorial prowess.

Calm Down by Rema

Rema continues his envelope-pushing experimentations, submitting a soothing vocal performance on bouncy, string-filled instrumentation. The song is expected to make it onto his 2022 album Rave and Roses.

Mayana by Aṣa

Renowned French-Nigerian soul singer Aṣa makes her first true foray into Afrobeats on the breezy ‘Mayana’. This performance demonstrates the artist’s infinite versatility.

Pour Me Water by Kizz Daniel

Kizz Daniel enjoys a permanent reputation as a composer of abiding love songs. ‘Pour Me Water’, which glides on highlife melody, finds its lovelorn persona bemoaning his fate with romance.

Baddest Boy Remix by Skiibii ft. Davido

Singer Skibii enlists Afrobeats royalty in Davido for a remix of the previously released anthem ‘Baddest Boy’. The record, themed around fearless chest-thumping, nestles snugly among the most popular Nigerian songs in 2022.

Emiliana by CKay

Propped by the international revival of his song ‘Love Nwantinti’, singer CKay submits another mellow but incisive track. ‘Emiliana’ is one of two singles the singer kicked off 2022 with. Judging by its viral success, it is going to be another good year for the Warner Music South Africa artist.

Adulthood Anthem by Ladé

Songstress Ladé finally scores her first major hit with ‘Adulthood Anthem’, a galvanising tune that rues what a tough-experience adulthood is.

Sungba Remix by Asake ft. Burna Boy

This year is very much the year of Asake, the YBNL singer who continues to capture the streets with his witty spiels adorned with financial confidence. On the remix of his runaway hit ‘Sungba’, the musician enlists Afrobeats giant Burna Boy, who himself has refused to give up his golden touch.

Stand Strong by Davido ft. Sunday Service Choir

Davido’s ‘Stand Strong’ features Sunday Service Choir, best known for performing with Kanye West. The neo-gospel tune, which preaches resilience in the face of adversity, heralds a new Davido collection.

Won Da Mo by Mavin All-Stars

‘Won Da Mo’, produced by in-house beatmaker Andre Vibes, is one of two singles that heralded the Don Jazzy-led Mavin Records’ Chapter X compilation album in celebration of its 10th anniversary this year. Themed around young excellence, the record features signees Crayon, Ayra Starr, Bayanni, Ladipoe, Magixx and Johnny Drille.

It's Plenty by Burna Boy

Also born from Burna Boy’s Love Damini album, the anthemic ‘It’s Plenty’ is themed around legacy. “For this life I dey / I want to be celebrated /
Don’t wanna waste my days,” the hook goes.

Bad to Me by Wizkid

With the love-inspired ‘Bad To Me’, taken from his fifth album More Love, Less Ego, Wizkid enters the ‘amapianosphere’, taking to the log drums, subtle percussion work, soulful keyboards and intermittent chanting that suffuse the South African genre, but making sure to impress on the song with West African linguistic stamps like Yoruba and Nigerian Pidgin.

Ijo Laba Laba by Crayon

For singer Crayon, the mainstream had often felt out of reach. An amapiano-influences offering, ‘Ijo (Laba Laba)’, which celebrates blessings and invites dance, also marks his international revelation.

Big Energy by Ladipoe

Rapper Ladipoe has found a way to thrive in a pop-heavy climate. ‘Big Energy’, which preaches self-confidence even if everyone doubts you, finds the man harnessing catchy melodies in his hook, but also keeping rap front-and-centre.

Joha by Asake

Asake is Nigeria’s biggest breakout star of 2022. His sound, which melds the in-vogue African sounds of Afrobeats and amapiano, have made him the toast of music lovers in his country and beyond. His debut LP Mr Money With The Vibe pours with multiple hits, notable among them being the dance-ready ‘Joha’.

Cough (Odo) by Kizz Daniel

Kizz Daniel boasts some of the biggest songs to come out of Nigeria this year. The viral ‘Cough (Odo)’ is both a dance record and love song, for while its lyrics comprise flamboyant promises to a love interest, its rhythm and chorus spark joyful dance steps.

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