NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

Top Naija songs of 2024

26 Apr 2024 - 11:08

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Nigerian pop has become a global staple, propelled by both seasoned veterans and a wave of emerging superstars, with the future holding even more promise for the genre.

Tiwa Savage and Odumodublvck.

Our latest Top Naija songs playlist is a compilation of new sonic contributions to this narrative, buoyed by distinctive sounds, confident swagger and copious talent. Thematically, the track here discuss everything from their artists’ rising statuses in the Afrobeats scene to romance and resilience.

Keep this playlists bookmarked as we update it throughout the year.

DND by Rema

What is a Naija playlist without a Rema entry? Rising to the status of Afrobeats superstar in recent years, he consistently showcases his talent. ‘DND’, a boastful and almost ominous mission statement, underscores his uncompromising attitude. He takes no prisoners.

I Don’t Care by Boy Spyce ft. Khaid

Under the guidance of industry veteran Don Jazzy, Mavin act Boy Spyce burst onto the scene with a lover persona. He has hardly swayed from that identity. On ‘I Don’t Care’, featuring fellow emerging star Khaid, he still has his sights set on romantic love, damn the consequences.

IDK by Wizkid ft. Zlatan

The song is among the highlights from Afrobeats superstar Wizkid’s latest EP S2, which heralds his 2024 full-length project Morayo. ‘IDK’ breathes a triumphant essence, delving into resilience during tough times and reflecting on the role of God in navigating life’s obstacles.

Only Me by Asake

Thematically, Asake’s latest single ‘Only Me’ continues to explore his primary motivation: money. Even before achieving his current superstar status, he consistently manifested wealth. This record is merely a life update.

All I Want by Simi

Simi, bearer of one of the purest voices within Afrobeats, returns with a song bordering on one of her favourite subject areas – true love.

Showa by Kizz Daniel

The lighthearted ‘Showa’, off Kizz Daniel’s EP TZA, teases a romantic partner through the lens of someone deeply and hopelessly in love.

The Life I Chose by Adekunle Gold

Adekunle Gold’s new single celebrates his rise in Afrobeats, blending motivation with reflections on changing attitudes, over robust instrumentation that balances danger and euphoria.

Big Big Things by Young Jonn ft. Kizz Daniel and Seyi Vibez

Chocolate City signee Young Jonn’s new track stresses where his preferences lie. He is no fan of small things. The record blends the usual pop themes of love, money and Lamborghini talk.

Romeo Must Die by Ruger ft. Bnxn

Ruger, best known for endless freaky confessions in his music, enlists hook magician Bnxn, once perceived to be his musical nemesis, on one of his first singles since exiting the Jonzing World label. Ferried on sweet instrumentation, ‘Romeo Must Die’ feels triumphant and resilient.

Loner by Wizard Chan ft. Joeboy

Every few months, a track about solitude and enjoying one’s company (likely with a bottle of rum) pops up. Unsurprising, since it is a reliable path to Afrobeats success. It worked for Cameroonian singer Libianca, whose ‘People’ undoubtedly shot her to global notice. ‘Loner’, featuring Joeboy is Wizard Chan, an impressive new voice’s, entry.

Twe Twe by Kizz Daniel and Davido

Kizz Daniel and Davido’s ‘Twe Twe’ proves Afrobeats’ focus on beats over lyrics, with hedonistic themes and danceability driving its success. The song’s directive to loosen up has sparked viral TikTok dance clips, while Kizz Daniel’s fusion of traditional rhythms and the Yoruba language appeals to both younger and older audiences.

Commas by Ayra Starr

On this release, Mavin signee Ayra Starr, an Afrobeats princess, is all about the money. Her achievements are piling up at a dizzying rate; hence, the more commas, the better.

Egwu by Chike ft. Mohbad

Chike’s amapiano-leaning ‘Egwu’ advocates for embracing and immersing oneself in good music, with late rapper Mohbad being a fitting guest voice to discuss the joys of life, having experienced its fleeting nature firsthand.

100 Million by Odumodublvck ft. Tiwa Savage

For hip hop newcomer Odumodublvck, 100 million in any currency is disdain for financial inadequacy. An insult. It is specifically this theme that fuels this Tiwa Savage-assisted drill single.

Different Pattern by Seyi Vibez

On this song taken from his new collection NAHAMciaga, Seyi Vibez deviates from his signature Fuji sound infused with Arabic chants, instead embracing and sampling archetypal highlife. A different pattern.

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