NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

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Afrique du Sud : Fatoumata Diawara rejoint une pléiade de stars pour les 25 ans du Standard Bank Joy Of Jazz

Home/Non classé/Afrique du Sud : Fatoumata Diawara rejoint une pléiade de stars pour les 25 ans du Standard Bank Joy Of Jazz

Pour célébrer cette étape importante, les organisateurs ont conçu une édition exceptionnelle avec des spectacles musicaux « et des expériences à ne pas manquer ». Le festival présentera des performances jazz du continent africain, d’Europe, d’Asie de l’Est et des Amériques « pour tisser une vision véritablement globale du jazz en tant qu’idiome musical unificateur du monde ». Des artistes de plus de dix pays se produiront lors des deux soirées. 

« Nous sommes heureux de célébrer les 25 ans de la Standard Bank Joy of Jazz. Nous avons la chance de pouvoir présenter depuis de nombreuses années, le meilleur du jazz et du lifestyle, en Afrique du Sud et dans le monde entier. Cela souligne le fait que le festival n’est pas seulement un événement de jazz de premier plan sur le continent africain, mais aussi un événement touristique qui stimule le développement économique et culturel de la ville et de la région. Il s’agit d’une contribution importante que nous souhaitons développer et approfondir à l’avenir » a déclaré Mantwa Chinoamadi, productrice du Standard Bank Joy of Jazz.

Fatoumata Diawara figure parmi les têtes d’affiche de cette édition spéciale. Fatoumata est l’une des chanteuses africaines les plus actives sur la scène musicale internationale. La chanteuse, guitariste, autrice et compositrice représentera les sons venus d’Afrique de l’Ouest, en particulier ceux du Mali, avec sa musique qui mêlent les traditions musicales maliennes avec des sons plus modernes. À travers sa musique qui transcende les frontières, Fatoumata évoque des thèmes universels et engagés tels que la dignité humaine, l’immigration, l’égalité et l’amour. 

Plusieurs autres artistes féminines de renoms, sud-africaines et internationales, s’ajoutent à ce melting-pot culturel et, enchanteront les quatre scènes iconiques de ce festival, durant deux soirées consécutives. On peut citer notamment Thandiswa Mazwai, figure emblématique de la scène sud-africaine, qui enflammera la scène « Conga » et présentera son dernier projet, Sankofa, en compagnie du groupe sénégalais qui a enregistré la musique d’origine.

Sur cette même scène, on assistera à une rare collaboration entre le Japon et l’Afrique du Sud : la pianiste Keiko Matsui se produira en compagnie de Nokukhanya Dlamini comme invitée spéciale. Tutu Poane (Afrique du Sud-Belgique), vocaliste de jazz dont la carrière est à la hauteur de la portée mondiale du jazz sud-africain, sera de la fête également.

La vocaliste et compositrice Spha Mdlalose (Afrique du Sud) ainsi que la trompettiste portugaise Jessica Pina, d’origine angolaise et cap-verdienne par ses parents, font également parti de la programmation variée et audacieuse de cette scène, et ne manqueront sans aucun doute, d’enchanter le public 

La scène « Mbira » accueillera des sonorités plus ‘roots’ qui se traduiront par un hommage à la légende zimbabwéenne, le regretté Oliver Mtukudzi mettant en vedette Samantha Mtukudzi (Zimbabwe), Maduvha Madima (Afrique du Sud) ainsi que la légendaire chanteuse sud-africaine Yvonne Chaka Chaka.

Plusieurs autres artistes de renoms venus des quatre continents complètent cette programmation, diverse et riche en collaborations et offriront aux connaisseurs et amateurs de jazz, deux soirées mémorables, au Sandton Convention Center.

Le festival débutera par une série d’activations dans la ville de Johannesburg et ses environs avant l’événement principal.

Voici la programmation complète :

 

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