NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Streaming to boost South Africa’s declining music sales

27 Sep 2016 - 09:26

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A report released by the global auditing firm PricewaterhouseCoopers (PwC) on 22 September has revealed that the South African music industry will heavily rely on streaming revenue in coming years as physical music sales and downloads continue to decline.

Digital music. Photo: www.routenote.com

According to the report, which focuses on South Africa, Nigeria and Kenya, and is titled Entertainment and Media Outlook, South Africa’s total music revenue fell by 1.2% to R2.0 billion ($145 million) in 2015. Improvements in the country’s streaming offerings and the live sector are, however, expected to boost music revenue going forward, ensuring a 4.4% annual growth for the next four years. By 2020 the industry’s total music revenue is expected to reach R2.4 billion ($175 million).

“Although physical music continues on its downward trajectory and downloads look set to fall out of popularity, it is streaming revenue that will single-handedly be responsible for keeping recorded music revenue from large falls,” say PwC.

In 2015 digital music streaming revenue contributed R74 million ($5.4 million) but this is expected to rise six-fold to R437 million ($31.8 million) in 2020, contributing a large percentage to the total revenue. Revenue from recorded music is expected to fall from R841 million ($61.3 million) in 2015 to R777 million ($56.6 million) in 2020.

The report says “live music is now playing an ever more important role” in South Africa. Improving ticket sales and sponsorship revenue mean that live music revenue is taking an ever greater share of South Africa’s music market, accounting for 57% of total music revenue in 2015 and 68% in 2020.

Although South Africa has arguably the most well regulated music industry in Africa, it will record the lowest growth rate in the next four years, compared to Nigeria and Kenya. Nigeria is expected to grow by 12.9% annually to reach $86 million by 2020 while Kenya is expected to grow by 9.3% annually to reach $29 million in the same period.

Streaming platforms are popular around the continent, with a number of South African services such as Simfy, Apple Music, Deezer, Bozza and telecom companies providing users with millions of songs across genres. The increasing strength of streaming in South Africa is linked to a growing internet access market—which is expected to increase from R39.4 billion ($287.3 million) in 2015 to R68.5 billion ($4.9 billion) in 2020, as fixed and mobile broadband become essential in the country.

For stakeholders in the music industry, this forecast will come as avenue to reconsider revenue sources.

Vicki Myburgh, Entertainment & Media Industry Leader for PwC Southern Africa says “In spite of widespread disruption in the entertainment and media industry, as well as intense competition for consumer attention, there are growth opportunities aplenty for companies to capitalise from in the new media landscape. Although the forecast CAGR of 11.7% (for the entire Entertainment and media industry) is lower than previously predicted, this still makes internet access by far the largest contributor to total Entertainment and media industry spend.”

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