NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Home / E-Flora L.Galubadi-a-L..
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E-Flora L.Galubadi-a-L..

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Kinshasa, Congo (Kinshasa)

In operation since:

2018

Contact person:

E-Flora L.Galubadi-a-L..

BIO

Le virtuose Docteur Saddain d’origine africaine, est un artiste musicien hors du commun.
Après sa formation scientifique en musique, il a peaufiné son art dans de multiples formations et ateliers sur l’improvisation, l'arrangement, l’orchestration et la composition à travers différentes écoles. Il reproduit les éléments de la musique africaine, classique, jazz et world pour créer un son génétiquement modifié, mutant, audacieux, excitant et frais.
Fort de plus de trente ans d’expériences en tant que compositeurs et instrumentistes, il a dédié sa carrière à la création à travers différents projets musicaux et festivals internationaux de Jazz avec des musiciens tels que : Éric Moulin, Gil Coquard, Vincent Nguini, Jean-Jacques Elangue, Térence Ngassa, Olivier Danloup, Florence Davis, etc. Et a collaboré de 1998 à 2014 comme chef d'orchestre à l'hôtel Hilton de Yaoundé ; A assuré l’arrangement des albums "Mulato" de Kareyce Fotso, Prix découvertes RFI 2009, "Sango et vous" de Ydille Mamba, "Mbombo" de Carole Bakotto, "Na lingi yo Africa" de Tina Mweni, pour ne citer que ceux-là qui portent bien les stigmates de sa philosophie.
L’expression artistique du spectacle qu’il présente vise l’unification du monde avec une grande place pour la science et le goût du risque.
À toute la jeunesse africaine, il préconise de choisir la voie de l’excellence. Docteur Saddain n'est pas seulement préoccupé par sa carrière, il porte aussi un grand fardeau pour celle des autres, et surtout pour l'avenir de la musique. Il anime des ateliers d’échanges sur l’harmonie, la composition, l’orchestration, l’arrangement, et la guitare. Car dit-on, “Success without a successor is ultimately failure" (un succès sans successeur est un échec), John C. Maxwell.

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The virtuoso Doctor Saddain, of African origin, is an extraordinary musical artist.

After his scientific training in music, he honed his craft in multiple training courses and workshops on improvisation, arrangement, orchestration, and composition at various schools. He reproduces elements of African, classical, jazz, and world music to create a genetically modified, mutant, bold, exciting, and fresh sound.

With over thirty years of experience as a composer and instrumentalist, he has dedicated his career to creation through various musical projects and international jazz festivals with musicians such as Éric Moulin, Gil Coquard, Vincent Nguini, Jean-Jacques Elangue, Térence Ngassa, Olivier Danloup, Florence Davis, etc. He also collaborated from 1998 to 2014 as a conductor at the Hilton Hotel in Yaoundé. He arranged the albums "Mulato" by Kareyce Fotso, winner of the RFI Discovery Prize in 2009, "Sango et vous" by Ydille Mamba, "Mbombo" by Carole Bakotto, and "Na lingi yo Africa" by Tina Mweni, to name just a few that bear the hallmarks of his philosophy.

The artistic expression of the show he presents aims to unify the world, with a strong emphasis on science and a taste for risk.

He advocates for all African youth to choose the path of excellence. Doctor Saddain is not only concerned about his career; he also carries a great burden for the careers of others, and especially for the future of music. He leads workshops on harmony, composition, orchestration, arrangement, and guitar. As they say, "Success without a successor is ultimately failure," John C. Maxwell.

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