NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

Best Nigerian albums of 2020

20 Dec 2020 - 07:37

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In 2020, Nigerian pop was defined by the rampant COVID-19 pandemic, vibrant activism and big releases. 

Tiwa Savage.

Nigeria, which is home to well-known musicians such as Wizkid, Tiwa Savage, Yemi Alade, Davido and Burna Boy, among others, has grappled with the unprecedented pandemic and protests against police brutality. Despite these obstacles, the local music industry showed vigour, resilience and ingenuity with an unbroken streak of steller releases that tackled major social issues, while catering to the dance scene. The year also saw artists share music and connect with fans through new platforms like virtual concerts.

The country’s reputation as a cultural powerhouse remains untarnished with a plethora of new albums, which unfold with messages that delve into strong political innuendo and activism. While Nigerians hope for a rapid return to normalcy in 2021, this year will be marked as one of the most iconic periods in history, with the music simultaneously inspiring tears and smiles of relief.

Below is Music In Africa's list of top Nigerian albums of 2020:

Made In Lagos by Wizkid

Wizkid’s fourth LP Made in Lagos relates his journey around the world, while emphasising his connection to his home country. The album has already received ubiquitous acclaim, including being named one of the Guardian UK’s 50 best albums of 2020. The project, oozing with sax, sex and smiles, reinforced its author’s value as an Afrobeats royal.

Twice As Tall by Burna Boy

With his new collection Twice As Tall, Burna Boy expanded his sound and global reach, and secured his second Grammy nomination in the process. Produced by Sean ‘Diddy’ Combs, Bosede Ogulu and Burna Boy himself, Twice As Tall boasts features from Youssou N’Dour (Mali), Sauti Sol (Kenya), Naughty By Nature (US), Stormzy (UK) and Coldplay’s Chris Martin (UK), as well as contributions from Timbaland (US), Anderson .Paak (US) and Mike Dean (US).

Celia by Tiwa Savage

Tiwa Savage’s third album Celia shines with her time-honoured vocal power and immersive melodies. Released on 28 August, the 13-track masterpiece was listed among Time Magazine’s top 10 albums of 2020. It features fellow Nigerian artists Fireboy DML, Naira Marley, Dice Ailes and Adekunle Gold, as well as the UK’s Stefflon Don and Sam Smith. The project includes big tracks such as ‘Park Well’, ‘Koroba’, ‘Temptation’ and ‘Save My Life’.

A Better Time by Davido

Davido’s A Better Time delivered just that. It is replete with instant hits and collaborators including international hip hop stars Nicki Minaj, Nas, Young Thug and Hit-Boy, as well as Tiwa Savage (Nigeria), Mayorkun (Nigeria), Sauti Sol (Kenya) and Sho Madjozi (South Africa). The project swiftly made it onto two Billboard charts simultaneously, debuting on the World Album Chart at number 4 and number 170 on the Billboard 200 Chart. A Better Time surpassed 213 million streams across major digital platforms a month after its release.

Afro Pop Vol. 1 by Adekunle Gold

Adekunle Gold issued a masterclass in Afro Pop Vol. 1, reiterating his sonic flair and baring new dimensions in contemporary African sounds.

Warriors by 2Baba

2Baba cements his legacy with the release of his seventh album Warriors. The 13-track offering was released in celebration of his 20th anniversary in the music industry, and boasts features from the likes of Burna Boy, Olamide, Tiwa Savage, Wizkid and Peruzzi.

Apollo by Fireboy DML

This year saw Fireboy DML issue his sophomore LP Apollo, which received widespread acclaim. The highly soulful and diaristic album draws from the music spectrums of R&B, folk, pop and Afrobeats. For his effort on the project, the singer was nominated for multiple awards at the 2020 Headies.

Three by Patoranking

For his third album Three, Afropop and dancehall act Patoranking dwells on the themes of kindness, joy, growth, love and happiness. It also finds him whip up a toothsome blend of sonic experimentations – the result an array of hit songs starting with ‘Abule’.

Everybody Get Agenda by BANTU

Fiercely political, BANTU’s Everybody Get Agenda decries the Nigeria’s many woes, which come down to a lack of accountable leadership. The group’s singular style of prompting social reflection situates it as “one of Africa’s most politically driven bands.” Though founded on Afrobeat, the LP also draws from the western influences of hip hop and R&B.

Lagos Pepper Soup by Michael Olatuja

Like its title suggests, bassist Michael Olatuja’s new project presents a potpourri that honours the Afrobeat, fuji and juju sounds of his native country, as well as gospel and jazz. Lagos Pepper Soup celebrates life, hope and daily miracles, and guests Grammy-winning musician Angélique Kidjo and Dianne Reeves, as well as Laura Mvula, Regina Carter, Lionel Loueke, Joe Lovano, Becca Stevens and Robert Mitchell, among others.

Carpe Diem by Olamide

Carpe Diem is rapper Olamide’s his 11th project and first with US-based label and distribution platform Empire. Accomplished both as a rapper and a pop merchant, the musician continues his reign with this album. Featured artists include Fireboy DML, Bella Shumrda, Omah Lay, Peruzzi and Phyno, among others.

Yabasi by Basketmouth

Although a comedian, Basketmouth has always felt a connection to music. This year, he brought his long-held desire to fruition, releasing what is arguably the most remarkable compilation album to come out of Nigeria recently. The richly layered project also serves as the soundtrack for the Papa Benji web series. Yabasi consists of 10 tracks, with a number of collaborators such as Oxlade, Show Dem Camp, Waje, Ladipoe, Duncan Nighty, Flash, BOJ, Ice Prince, Flavour, Phyno, Chike, Zoro, Umu Obiligbo and Peruzzi making an appearance. Production was led by Duktor Sett, with Tee-Y Mix in charge of mixing and mastering.

Satisfied by Mercy Chinwo

‘Chinedum’ hitmaker Mercy Chinwo’s sophomore album Satisfied is thick with spiritual hymns and uplifting anthems. The former Nigerian Idol winner is not only renowned for charming lyricism but also a powerful, searing voice. Satisfied was released on EeZee Conceptz Global, and is among the most streamed Nigerian albums for the year. The project also catapulted her to the second-most streamed female musician on Boomplay in sub-Saharan Africa in 2020.

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