NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Boomplay unveils Africa’s biggest acts of 2023

01 Dec 2023 - 10:51

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Africa-facing streaming service Boomplay has unveiled the latest in its yearly report of music consumption on the platform.

Ayra Starr emerged among the top three female artists in Nigeria.

Orbiting Nigeria, Ghana, Kenya and Tanzania, #BoomplayRecap2023 provides a comprehensive overview of music consumption trends, emphasising insights from local music scenes. The report, segmented into country, artist and user insights, highlights a substantial increase in the platform’s catalogue to 120 million songs, featuring over 10 million artists and 7 500+ content providers. Notably, Afrobeats and amapiano emerged as the most popular genres in 2023.

In Nigeria, the top male artists included Asake, Seyi Vibez and Davido, while Ayra Starr, Mercy Chinwo and Tiwa Savage led among female artists. The top rising talent in the year under review were Shallipopi, Odumodublvck and Spyro.

The most streamed songs featured hits like ‘Soso’ by Omah Lay, ‘Cough (Odo)’ by Kizz Daniel and ‘Party No Dey Stop’ by Adekunle Gold, with the most streamed albums being Davido’s Timeless, Asake’s Mr Money With the Vibe, and Omah Lay’s Boy Alone. Meanwhile, Burna Boy became the first artist to achieve 1 billion streams, earning him a place in Boomplay’s Platinum Club.

In Ghana, Black Sherif, Sarkodie and Stonebwoy stood out as the top male artists, while Wendy Shay, Diana Hamilton and Gyakie led the female category. Rising artists Banzy Banero, OlivetheBoy and Skyface SDW made waves. Popular songs included ‘Country Side’ by Sarkodie featuring Black Sherif and ‘Konongo Zongo’ by Black Sherif, with top albums being The Villain I Never Was, also by Black Sherif, Jamz by Sarkodie, and 5th Dimension by Stonebwoy.

Kenya saw Otile Brown, Bahati and Wakadinali as top male artists, while Nadia Mukami, Nikita Kering’ and Gloria Muliro were highlighted among female artists. Rico Gang, V-BE and Vic West emerged as rising talents, and the most streamed songs included ‘Kuna Kuna’ by Vic West featuring Fathermoh.

In Tanzania, Harmonize, Mbosso and Diamond Platnumz led among the male artists, with Zuchu, Nandy and Yammi topping the female category. Rising artists Jaivah, Mavokali and Kontawa gained recognition, and popular songs included ‘Puuh’ by Billnas featuring Jay Melody. The most streamed albums were Khan by Mbosso, Made for Us by Harmonize and The Kid You Know by Marioo.

“The uniqueness of the Boomplay Recap is that, it provides true reflection and insights on the music consumption by streaming within the local music scenes in Africa,” Boomplay communications and public relations manager for Africa Paul Azumah-Ayitey told Music In Africa. “Boomplay Recap 2023 has generally shown growth in streaming as a means of music consumption and the emergence of new talents across Africa who are impacting their local music scenes with some making significant cross-country inroads following the footsteps of already established African music superstars. Afrobeats and amapiano remain the two most popular genres of 2023 across Africa.”

Boomplay Recap 2023 for Nigeria

Top Male Artist

  • Asake
  • Seyi Vibez
  • Davido

Top Female Artist

  • Ayra Starr
  • Mercy Chinwo
  • Tiwa Savage

Top Rising Artist

  • Shallipopi
  • Odumodublvck
  • Spyro

Most Streamed Songs

  • ‘Soso’ by Omah Lay
  • ‘Cough (Odo)’ by Kizz Daniel
  • ‘Party No Dey Stop’ by Adekunle God

Most Streamed Albums

  • Timeless by Davido
  • Mr. Money With the Vibe by Asake
  • Boy Alone by Omah Lay

Boomplay Recap 2023 for Ghana

Top Male Artist

  • Black Sherif
  • Sarkodie
  • Stonebwoy

Top Female Artist

  • Wendy Shay
  • Diana Hamilton
  • Gyakie

Top Rising Artist

  • Banzy Banero
  • OlivetheBoy
  • Skyface SDW

Most Streamed Songs

  • ‘Country Side’ by Sarkodie ft. Black Sherif
  • ‘Konongo Zongo’ by Black Sherif
  • ‘Oh Paradise’ by Black Sherif

Most Streamed Albums

  • The Villain I Never Was by Black Sherif
  • Jamz by Sarkodie
  • 5th Dimension by Stonebwoy

Boomplay Recap 2023 for Kenya

Top Male Artist

  • Otile Brown
  • Bahati
  • Wakadinali

Top Female Artist

  • Nadia Mukami
  • Nikita Kering’
  • Gloria Muliro

Top Rising Artist

  • Rico Gang
  • V-BE
  • Vic West

Most Streamed Songs

  • ‘Kuna Kuna’ by Vic West ft. Fathermoh, Savara, Brandy Maina & Thee Exit Band
  • ‘Abebo’ by Bahati ft. Prince Indah
  • ‘Kaskie Vibaya’ Fathermoh ft. Ssaru

Most Streamed Albums

  • Puonj Mag Dak (The Album Formula 5) by Prince Indah
  • Victims of Madness by Wakadinali
  • Mawingu by Buotross

Boomplay Recap 2023 for Tanzania

Top Male Artist

  • Harmonize
  • Mbosso
  • Diamond Platnumz

Top Female Artist

  • Zuchu
  • Nandy
  • Yammi

Top Rising Artist

  • Jaivah
  • Mavokali
  • Kontawa

Most Streamed Songs

  • ‘Puuh’ by Billnas ft. Jay Melody
  • ‘Utaniua’ by Zuchu
  • ‘Mahaba’ by Alikiba

Most Streamed Albums

  • Khan by Mbosso
  • Made for Us by Harmonize
  • The Kid You Know by Mario

View the complete Boomplay Recap 2023 here.

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