NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Composer Peter Klatzow chosen for 2015 JIMF

25 Nov 2014 - 09:58

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Cape Town-based composer Peter Klatzow is the Composer-in-Residence for the 2015 Johannesburg International Mozart Festival (JIMF) from 27 January to 8 February. Each year a South African composer is commissioned by JIMF to create a new piece of work for premiere at the Festival. Adding to this, the composer gives their expertise to the programme and world-renowned Peter Klatzow is JIMF’s 2015 choice.

Peter Klatzow, JIMF 2015 Composer in Residence

Klatzow studied composition at the Royal College of Music in London, under the guidance of Bernard Stevens; piano with Kathleen Long; and orchestration with Gordon Jacob. Winning a number of awards at the College, as well as the esteemed Royal Philharmonic Award for Composition, he went on to study with Nadia Boulanger in Italy and France.

From there, Klatzow returned to South Africa to work as a music producer for the SABC before being appointed Director of the College of Music and Professor in Composition at the University of Cape Town.

Apart from winning numerous awards, both locally and abroad, Klatzow’s achievements extend to composing works for Hamlet, a full length ballet, scores for Drie Diere and Vier Gebede, both ballets, as well as concertos for various instruments including the piano, clarinet, organ, marimba, and a double concerto for flute and marimba which was performed for Yale University in America.

His musical ability extends to the visual art world where he was commissioned to write The World of Paul Klee (III), composed for the opening of the new Paul Klee Centre in Berne, Switzerland. Klatzow also composed music for Towards the Light - a work for double choir, marimba and organ commissioned for the opening of the new Peabody Concert Hall in America.

Locally, Klatzow was enlisted to compose works for a celebratory Te Deum for choir, organ and orchestra which were commissioned for a special service celebrating the 100th anniversary of St George's Cathedral in Cape Town. He composed a short opera for The University of Cape Town for the celebration of the 100th anniversary of the South African College of Music (SACM) and went on to work with the South African Music Rights Organisation (SAMRO). Klatzow composed a setting of Thabo Mbeki’s speech “I am an African” to use in the International Vocal Scholarship Competition in September 2011. That same year he attended a major festival of his marimba works in Tokyo, where he also lectured and gave masterclasses at the Tokyo Music School.

His discography includes an impressive variety of recordings such as piano music, and works for marimba and strings to name a few. Klatzow also recorded a CD of his choral music entitled Towards the Light – the choral music of Peter Klatzow. His Marimba Concerto has been reissued in a new recording made by Markus Leoson and was published by the Swedish label NOSAG in 2006, further, releasing Myths, Magic and Marimbas – the music of Peter Klatzow in the same year.

In 2011 the South African Akademie vir Wetenskap en Kuns awarded him the Huberte Rupert Music Prize for his lifetime work. Klatzow attended a major international event, Peter Klatzow in the City, which was held in Rotterdam for one week and featured his music for marimba. There were three performances of his concerto for flute, marimba and strings with Tatiana Koleva and Eleonore Palmeijr and they premiered his new work Night Sky with Illuminations - commissioned by the Eduard von Beinum Foundation in Rotterdam.

“To compose music is to isolate yourself completely and to immerse yourself in a sea of imagined sounds. It is a solitary process in which the composer (usually with great difficulty) extracts from his/her imagination a structure which has not only beauty, but a pleasing form, thematic integrity and technical skill. If any of these are missing the work is structurally deficient. But in the making of this new work the composer must also take into account the role that the performer has to play. A work which fails to integrate the performers' contribution will never find its mark with receptive audiences,” says Klatzow when reflecting on his career as a prolific composer.

Being a Professor Emeritus at the University of Cape Town Klatzow was recently awarded the Helgaard Steyn prize for his work Lightscapes which was commissioned for The World Marimba Festival in Stuttgart in 2012.

“Peter Klatzow is not only one of the most eminent composers South Africa has produced, but the JIMF 2015 will also see him in his role as educator. As a Professor of Composition at the University of Cape Town he has trained generations of young South African composition talents and he is assuming this role once again as part of a collaboration with the Goethe Institut.” says Florian Uhlig, Artistic Director of the Festival.

In 2015 audiences can look forward to performances by the legendary flautist Sir James Galway who will appear as soloist with the Zurich Chamber Orchestra and two appearances by the distinguished pianist Melvyn Tan, among a wide range of artists as well as diverse performances, masterclasses and workshops presented by both local and international musicians.

Other highlights for the 2015 programme include the vocal scholarship scheme with the Musikhochschule Cologne in Germany; a choral workshop with Prof. Ekkehard Klemm- internationally renowned conductor, choir director and principal of the Musikhochschule Dresden; and the annual collaboration with the Goethe Institut in Johannesburg, this year featuring an interdisciplinary collaboration between photographer Lebohang Kganye and three young composers, coached by Peter Klatzow, who will produce newly commissioned works.

The annual ‘Orchestra from Scratch’ encourages music aficionados to take part in the JIMF 2015 programme. Open to anyone who can play a musical instrument (minimum of Grade 3); participation should be arranged through contacting the JIMF office on (011) 447 9264.

Full details of the programme for the 7th Johannesburg International Mozart Festival (JIMF) are available on the Festival’s website. Please contact 011 447 9264 or visit www.join-mozart-festival.org for more information, and “like” the Johannesburg International Mozart Festival page on Facebook for regular updates on Festival happenings.

Web site: http://www.join-mozart-festival.org

Related Event: Johannesburg International Mozart Festival

Dates: Saturday 24 January - Sunday 8 February 2015

(Issued by The Famous Idea Trading Company - 11/22/2014 08:53:57)

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