NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Malawi mourns top rapper Revolver

09 Nov 2016 - 14:31

cc-img flag-img

One of Malawi’s most talented rapper and songwriter, Revolver died on Sunday, 6 November.

The late rap musician Revolver. Photo: Facebook

He was 27.

The top rapper reportedly passed on after succumbing to gastric cancer. His close friend and manager Ron CZ confirmed the death in a local publication. Ron CZ said Revolver, real name Kenneth Muwamba, died a few days after he was discharged from a local hospital. The musician was laid to rest yesterday in the afternoon at the HHI Cemetery in Blantyre.

Reading through his Facebook posts, the artist must have sensed death. Sometime in September, he wrote, “I see death around the corner.” Just recently, on 4 November, he wrote, “The best thing in life is life.” His last post reads: “Dear Premier league, what am I supposed to do with my life this afternoon up to 5 pm?”

No doubt a darling of many Malawian rap fans, Revolver’s death shocked many people. His friends in the music business shared their loss on Facebook. Part of statement by Ron CZ reads, “Only God can comfort me. I have lost my best friend.” Another musician Chavura also wrote, “More than a friend, he was a brother. I am still in shock.”

On Sunday, at the UMP Awards in Zambia, a number of Malawian artists who were in attendance took turns to pay tribute to Revolver. Among them were Phyzix, female rapper Rina and Fredokiss.

Born on 28 September 1989, Revolver joined the music scene in 2008. His debut release was a solo mixtape called Hardcore Blues (released2009). The mixtape was a flop; it never received any radio play. Revolver didn’t give up, the following year he released another mixtape tilted The Ridiculous LP. The project did very well thus earning him a mark in the country’s music scene. In 2011, he released ‘Sindidanda’, a hit single which enjoyed airplay in local radio and television stations.

Since then, the late musician released more great hits such as ‘Chifisi’, ‘Friends With Benefits’ and other songs with his crew Trap Squad. Besides singing, he was a co-founder and member of Trap Squad. He also co-owned a record label Trap Entertainment record Label.

Meanwhile, the music fraternity has recently and in the past months lost a number of artists. Just recently, Zambia lay to rest Marsha Moyo, a talented musician and gender activist. Marsha died on Saturday, 5 November after an illness. In October, Ghanaians mourned Vybrant Faya, a dancehall artist who died after a fatal accident. Zimbabweans also lay to rest Joice Simeti, a top gospel artist who was unwell for time.

In September, South African legendary kwaito artist Mandoza and Angolan veteran musician Moisés Kafala died. Mandoza died on his way to hospital in Johannesburg after he experienced trouble breathing. He had been battling brain cancer for about a year. Kafala died while undergoing medical treatment.

Other artists who died this year include Nigerian producer OJB Jezreel, Ethiopian masenqo master Getamesay Abebe, Congolese legend Papa Wemba, Nigerian artist Nomoreloss to name a few.

Please log in to post a comment.

Most popular

Disclaimer: Music In Africa provides a platform for musicians and contributors to embed music and videos solely for promotional purposes. If any track or video embedded on this platform violates any copyrights please inform us immediately and we will take it down. Please read our Terms of Use for more.

newsletter banner

Subscribe to our monthly Newsletter

Follow us on social media