NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

Mantwa Chinoamadi: A trailblazer in live music promotion

27 Mar 2025 - 13:25

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South African creative Mantwa Chinoamadi has been at the helm of T-Musicman since its early ventures into live music promotion and production in 1989, when she was appointed as Artist Liaison.

Mantwa Chinoamadi.

Over the years, she has worked with some of the most iconic names in music, including Queen, Jonas Gwangwa, Rebecca Malope, and Brenda Fassie, all of whom entrusted her and T-Musicman with the marketing and promotional aspects of their careers.

Her first major project as project manager came during South Africa’s first democratic elections in 1994, when T-Musicman was tasked with coordinating the Voter Education Rally campaign—an initiative aimed at educating the public ahead of the historic elections.

While she has undertaken various business courses to strengthen her theoretical knowledge and leadership skills, Mantwa’s commitment to excellence has also taken her across the globe, allowing her to gain first-hand experience in delivering world-class events, concerts, and festivals.

Music In Africa's Ano Shumba had an in-depth conversation with Chinoamadi, delving into her inspiring work and its profound impact on the community. delving into her inspiring work and its profound impact on the community.

MUSIC IN AFRICA: How can the intersection of music and culture create more inclusive and sustainable communities?

MANTWA CHINOAMADI: The intersection of music and culture can create more inclusive and sustainable communities by promoting cultural exchange programs that providing platforms for underrepresented groups, cultural events also support local economic development through tourism. Creative spaces foster community engagement and social cohesion

Can you highlight any programmes or models that have been particularly effective in creating pathways for women leaders?

Effective programmes and models for women leaders in music includes engagements between experienced mentors and pairing them with industry professionals. Developing skills in music production, business management, and leadership, women need spaces to create, produce, and promote music. Providence of financial support specifically for women-led projects and initiatives is very vital. Additionally, organisations such as the Arts Connect Africa (ACA) is dedicated to empowering women in the music and cultural industry by offering educational webinars and classes, equipping them with valuable skills and connections to unlock meaningful opportunities.

How can the intersection of music and culture create more inclusive and sustainable communities?

Through social mobility and economic empowerment opportunities provided by organisations such as Concerts SA and Country Cultural Attaché Programmes. By encouraging community ownership and engagement of programs.

Could you explain how blending global insights with local knowledge helps drive sustainable impact?

I’m a testament to the power of blending global insights with local knowledge. My early years as an intern at renowned festivals like the New Orleans Jazz Festival and Montreal Jazz Festival broadened my perspective. Through knowledge-sharing and cooperation with global and local stakeholders, I honed my skills and gained valuable expertise. This experience taught me the importance of adapting global solutions to meet local needs and realities. By benchmarking with international best practices, the Joy of Jazz has been able to harness local cultural knowledge and expertise to drive sustainable impact in my own community.

Africa has the highest proportion of women entrepreneurs globally at 22%. How have you seen this entrepreneurial spirit specifically manifest in the music and cultural industries?

The entrepreneurial spirit of African women is thriving in the music and cultural industries, characterised by Innovative business strategies and models that create innovative offerings that cater to local and international markets.

Your work focuses on breaking down barriers for women in music. What are the most significant obstacles you’ve encountered, and what strategies have proven most effective in overcoming them?

As a woman in the music industry, I’ve faced numerous challenges, including sexism, limited access to resources, and stereotyping. However, I’ve learned that there are effective ways to overcome these obstacles. Personally, I’ve found strength in building a network of supportive women and allies. Developing my business and leadership skills has also empowered me to navigate the industry with confidence.

I believe it’s crucial to advocate for policies and industry reforms that promote equality and inclusion. By celebrating and promoting women’s achievements in music, we can create a more just and vibrant industry for all. Together, we can break down barriers and create opportunities for women to thrive in music.

Could you share specific examples of how empowering women in the music industry has directly strengthened communities and contributed to economic development across Africa?

As someone who’s passionate about music and community development, I’ve witnessed first hand the transformative impact of empowering women in the music industry. In my own community, I’ve seen how empowering women in music has created jobs and generated income for families, preserved and promoted our rich cultural heritage and inspired future generations of young women to pursue their dreams. By supporting women in music, we’re not only promoting gender equality, but also contributing to the economic and social development of our communities.

Looking ahead five years, what transformative changes do you hope to see for women entrepreneurs in Africa’s music and cultural landscape, and what role do you see yourself playing in that evolution?

As I look to the future, I envision a transformative shift in Afric’'s music and cultural landscape, where women entrepreneurs thrive and lead. Over the next five years, I hope to see increased funding and resources for women-led businesses, bridging the gap in economic empowerment, more women in leadership positions, overcoming all the mentioned obstacles and paving the way for future generations, inclusive industry practices and policies that promote, diversity, equity, and accessibility.

Personally, I’m committed to playing a role in this evolution advocating tirelessly for women's empowerment and inclusion in the music industry. Providing training and capacity-building programs that equip women entrepreneurs with the skills and knowledge they need to succeed. Supporting and promoting women-led businesses and initiatives, amplifying their voices and work. Most important, collaborating with other stakeholders to drive industry-wide change and reform, ensuring a more equitable and just landscape for all. Together, let’s create a brighter future for women entrepreneurs in Africa’s music and cultural industries

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