NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Standard Bank Joy of Jazz announces 2026 line-up

30 Apr 2026 - 08:39

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The organisers of Standard Bank Joy of Jazz festival have announced the line-up for this year’s edition, which will take place at the Sandton Convention Centre in Johannesburg, South Africa from 25 to 26 September.

Angélique Kidjo will perform at the festival. Photo: Brantley Gutierrez

Now in its 27th year, the festival will feature a mix of international and South African jazz artists across four stages, with programming shaped around tributes to influential musicians, collaborations and contemporary interpretations of jazz.

International acts on the programme include Beninese musician Angélique Kidjo and American composer and jazz saxophonist Kamasi Washington, who is scheduled to perform at the festival for the first time.

South African performers announced for the event include Thandiswa Mazwai, Judith Sephuma, McCoy Mrubata, Khaya Mahlangu and Ndabo Zulu. The programme will also feature performances by 2026 Standard Bank Young Artist Award winners Gabi Motuba and Manana.

Festival producer Mantwa Chinoamadi said the programming for this year’s edition aimed to reflect both the history and future direction of jazz in South Africa.

“Joy of Jazz has always been about more than performance,” she said. “It’s about creating moments of connection across generations, cultures and geographies. This year, we are intentional about curating a programme that reflects where we come from, while boldly stepping into where we’re going.”

The festival said this year’s edition also coincides with the 50th anniversary of the Soweto Uprising and 70 years since the 1956 Women's March, themes that influenced parts of the programme.

Among the featured performances is a tribute to late jazz musician Hugh Masekela by Thandiswa Mazwai. Another tribute performance will honour saxophonist Kippie Moeketsi, led by Khaya Mahlangu.

“Honouring Bra Hugh is deeply personal. His music shaped not just jazz, but the spirit of this country. To reinterpret his work on this stage is both an honour and a responsibility,” Mazwai said.

The Dinaledi Stage will host performances by Ibrahim Maalouf, Judith Sephuma and Ola Onabule, while the Diphala Stage will focus on vocal and instrumental performances led largely by women artists, including Nubya Garcia and Lorraine Klaasen.

A collaborative project titled “4 Bass Lines” will bring together bassists AusTebza, Rochelle Rautenbach, Chantal Willie-Petersen and Orlanda Da Conceição.

Chinoamadi described the project as a platform highlighting women instrumentalists in jazz.

“This project is a celebration of women occupying space boldly in jazz not as supporting acts, but as architects of sound and direction,” she said.

The Conga Stage will feature rhythm-focused performances from artists including Tank and the Bangas, Reza Khota, Madala Kunene and Sibusile Xaba.

Other acts on the programme include Tumi Mogorosi alongside Soweto Kinch and Neil Charles, as well as saxophonist Sydney Mavundla performing material from his album Dirge of our Fathers.

The Mbira Stage will present performances blending jazz, neo-soul and spoken word, with appearances by Floetry, Nomfusi and Anaïs Rosso. The stage will also include a tribute to late singer Busi Mhlongo performed by Buhlebendalo Mda, Zawadi YaMungu and Xolisa Dlamini.

According to organisers, the festival has expanded significantly since its early editions and now attracts more than 25 000 attendees annually. They said the event also contributes to the local economy through tourism, temporary employment and support for small businesses, including the Jazzy Joburg Market initiative for small enterprises.

Standard Bank Group head of sponsorship Bonga Sebesho said the bank’s continued involvement in the festival was linked to supporting African arts and culture.

“Each year, the Standard Bank Joy of Jazz consistently presents the truest and most authentic jazz programming on the continent. As a bank we are proud to make art possible and in doing so, make jazz possible,” he said.

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