NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Warner Music Group registers $1.5bn revenue growth

09 Aug 2023 - 11:11

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Warner Music Group (WMG) recorded a total revenue growth of $1.564bn in its calendar Q2 (fiscal Q3) results released on 8 August. 

WMG CEO Robert Kyncl.

This marked a 9.9% year-on-year (YoY) increase in overall revenues in the three months to the end of 30 June 2023 – comprising recorded music, music publishing and other income streams.

Reacting to the report, WMG CEO Robert Kyncl praised the “company’s strength across many different territories, labels and revenue lines.”

The report shows recorded music revenues increased 8.6% YoY to $1.282bn in the quarter, while recorded music streaming revenues were up 7.3% YoY to $822m, in what has been “a stronger release schedule and growth in ad-supported revenue recovered due to moderation in a market-related slowdown.”

Digital revenue rose by 9.8% YoY while streaming revenue increased 10.5%. Music publishing streaming revenue also increased by 28.1%, with Warner Chappell Music revenue growing by 16% YoY to $283m.

In terms of operating income, WMG posted $189m – an increase from $146m in the prior-year quarter. As of 30 June, WMG reported a cash balance of $600m, total debt of $3.988bn and net debt of $3.388bn. Net debt is defined as total debt, net of deferred financing costs, premiums and discounts, minus cash and equivalents.

The company’s operating income before depreciation and amortisation (OIBDA) was $275m, an increase of 20.1%. Artist services and expanded rights revenue went up by 14.1% thanks to an “increase in concert promotion and merchandising revenue”, whereas licensing revenue grew by 24.3% across sync, broadcast fees and other permits.

The company’s physical revenue was up 2.4%, due to “stronger performance in the US”, with standout releases from Ed Sheeran, Linkin Park and Melanie Martinez.

“Our Q3 results were driven by a wide diversity of music, and our strength came from many different territories, labels and revenue lines,” Kyncl said. “We succeeded with artists and songwriters across the spectrum of genres and generations, with both new releases and catalogue projects.

“We expect our momentum to build, led by our extraordinary music and inventive campaigns, as well as improving macro and industry trends. We continue to invest in new creative talent, and evolve our expertise and resources, while collaborating with partners across the entertainment economy to drive long term success.”

Warner Music Group chief financial officer Eric Levin added: “In the third quarter, we delivered solid growth across key metrics which give us increased confidence in our full-year margin and operating cash flow targets. The market’s adoption of subscription price increases, combined with the ongoing evolution of our key partnerships, gives us tremendous optimism for the future of streaming growth.”

Summary of WMG’s financial results for the three months ended 30 June 2023:

  • Total revenue increased 9% or 10% in constant currency.
  • Digital revenue increased 9% or 10% in constant currency.
  • Net income was $124m versus $125m in the prior-year quarter.
  • OIBDA increased 18% to $275m vs. $233m in the prior-year quarter or 20% in constant currency.
  • Adjusted OIBDA increased 16% to $297m vs. $255m in the prior-year quarter or 18% in constant currency.
  • Cash from operating activities decreased 10% to $146m from $163m in the prior-year quarter.

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