NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

Weekly jam sessions empower homeless

29 May 2015 - 12:06

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Just because one lives on the streets doesn’t mean one can’t have a talent for music - or a dream to one day succeed…

Every Monday, some of Johannesburg’s many homeless people gather at the Methodist Church in the relatively affluent suburb of Parktown North. They come here not for food or blankets, but rather to hone their rapping and singing skills, jamming to a selection of laptop beats. Driven by their love for music - particularly hip-hop, house and kwaito - these young men find a weekly refuge from their regular routine, a place where they are not looked down on, where they can have fun and dream of a better future. It’s run by people who understand that they didn’t choose to live on the streets but that life simply gave them a raw deal - and that one day soon, they’ll be able to get back on their feet and make a life for themselves, perhaps even through music.

Lerato ‘Sghidi’ Mokoena on the mic. Photo: David Durbach

The weekly jam session is hosted by Develop South Africa, a local non-profit organization addressing issues around youth unemployment, a developmental challenge that exists in Rosebank and other parts of the northern suburbs of Johannesburg. Through local partnerships and participation, Develop SA designs, implements and maintains developmental programs in the form of workshops, projects and networks to strategically promote skills transfer and career guidance.

Founded and run by Admire Kamutimbe (24), Develop SA's aim is to nurture, uplift and showcase young talent. Active for the past two years, their focus is on community engagement and development, entrepreneurship and business skills, as well as supporting skills development in science, engineering and technology. Music is central to Develop SA's work.

Admire told Music In Africa about how the music sessions started: “When I was passing them in the park, I heard them singing, and I realized that a music network would attract them to come and explore their talents.”

The sessions have only been taking place for the past two months, but already they are making a difference. “When we started this music network, we had like 10 people coming through, and saying how they see life, where they want to be," explains Admire. "One thing that stands out with his music network is that guys can actually express themselves, how they live, their frustrations, their hopes. That helps, because most of the time they never have time to talk about it... I can see there is healing through music. It gives them confidence. They also express themselves through their music, so there’s a lot of healing.”

Admire realises there’s a long road ahead, but he’s determined to fulfil his promise to empower these homeless performers. “The starting point is to recognize the talent that we have, so we invite them to come and showcase," he says. "We play beats and they rap or sing. Some of them just say, ‘I do acapella’, so we stop the music and they sing. Now the project is growing. We’ve had people donating guitars and all sorts of different instruments. The end result will be to have some kind of open studio, where they can come and play guitars, drums, and work together in a collaborative manner, before we introduce them to established record labels and say, ‘You can trust these guys’.

“We need to connect these guys and make them realize their talents," continues Admire. "Then we need to share their talents with everyone in Africa, and all over the world. And then we need to monetize that. So it’s those three stages. We’re still on the first stage, where we are connecting, and now we need to share it, then monetize it. As an organisation, we need this to become sustainable. As we grow, we need to have our own recording studio. Another thing I want to do is to have professional videos for Youtube of these sessions that we do. I’m building towards that.”

They’re now working towards putting on a live show at the nearby Rosebank Mall. “We’re building towards an event that will happen in the first week of May in front of Rosebank Mall," says Admire. "There are many bands coming from townships to perform there but we also need to empower people who live in this area. If we don’t empower them, then it’s a challenge for the community because they will become violent, attack people, take drugs and all that bad stuff. They will commit crime because after they become influenced by drugs and alcohol, they can act in an uncontrollable way. So this project is really shaping them up, giving them a future, saying, ‘If you get it right, we have a platform that can empower you’. So at the end of the day, they don’t see any reason why they should be violent or commit crime. Most of them look up to each other in this programme. They recognize each other’s talent.

One of the regular participants in the music session is Lerato ‘Sghidi’ Mokoena (35), a talented MC and devoted kwaito fan. He told Music In Africa: “I’m a writer, I love poetry. I’ve been rapping for quite some time, for years. I’ve done a lot of demos, but I don’t have any now. I quit for some time because of some setbacks. But now, since I met Admire, he brought the idea back and I’m back on. The project has only been a few weeks since it started. Everyone here has different roots. I’m from the Free State. I’m living on the streets and in a park in Benmore. We’re actually learning from each other.

“This is a relevant platform that we all need," adds Sghidi. "We all realize that it is still fresh and it has a motive. It shows some progress. So we are pulling ourselves together. But when I look at it, there’s been a lot of success in the project already. It’s growing fast and people are really backing it up. We’re working to record some music, and then see if we can take it from there”

One beat-driven rhyme at a time, Develop SA is showing how music can not only provide an outlet for self-expression, it can also offer a source of hope and ultimately empowerment in the lives of those with nowhere to go but the streets. In doing so they are helping not only groom some talented individuals, but helping to combat crime, drug abuse and prejudice, all widespread problems in South African society.

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