NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

Who will be BET Awards’ best international act?

21 Jun 2018 - 16:42

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While people are caught up in FIFA World Cup frenzy, there's another competition brewing in the world of African music – a vicious tournament pitting Davido, Cassper Nyovest, Distruction Boyz, Fally Ipupa and Tiwa Savage against each other. If you haven’t figured it out yet, it’s this weekend's BET Best International Act Award.

Tiwa Savage could be the first woman to win the BET Best International Act Award.

This year, the stakes have been raised with the BET Awards combining the Best International Act Africa and Best International Europe categories into one. The winner will be determined by a democratic process that takes into consideration votes from fans and those of an international voting academy comprising music industry professionals.

Everybody on the list is a potential winner, if their contributions in the past year are anything to go by. Here’s a general look at what each African artists has achieved recently.

Tiwa Savage

Tiwa Savage could become the first woman to win the Best International Act Award. She's also the only female nominee this year. The Nigerian singer, who's highly active on the collaboration front across the African continent, was applauded last year by British rockers Coldplay for her Sugarcane EP. She has worked with South African rapper Emtee, Nigerian sensation Wizkid, Kenyan group Sauti Sol and US superstar Omarion on the recent ‘Get It Now Remix’, making her a serious contender for the big prize.

Distruction Boyz

Distruction Boyz are most certainly the underdogs on the list of nominees for this award. But they have a good track record considering the popularity of their SAMA-winning song ‘Omunye’. As the poster boys of the in-fashion gqom genre, the pair have an advantage over their competitors, who are nowhere near on the hip scale. The duo also makes an appearance in DJ Maphorisa's documentary Gqom Wave, which is also pretty cool.

Fally Ipupa

Fally Ipupa will be representing Francophone Africa at the BET Awards. This marks the third time that the Congo-born singer has been nominated in the international category. Although he was unsuccessful the previous two times, this year could be his. Third time’s a charm, right? He spent 2017 promoting his album Tokooos and performed in Kenya, Mali, France, Switzerland and South Africa. He was also featured in the Jeune Afrique publication as one of the most influential Africans.

Cassper Nyovest

Cassper Nyovest treated diehard fans with the release of his album Thuto last year. The album featured American singer Goapele on the song ‘Destiny’ whose video set a new standard in South Africa. The ‘Ksazobalit’ hitmaker made heads turn at the 2017 South African Hip Hop Awards, walking away with six golden stars out of the eight he was nominated for. A week earlier, he almost filled South Africa's biggest stadium as a part of his fill-up series, which he's taking to Durban later this year. The rapper was also included in this year's Forbes Africa 30 Under 30 list.

Davido

Davido is no stranger to the BETs. He is this year's only nominee who's previously walked away with the Best International Act Award. This was in 2014. Last year, he released hits like 'If', 'Fall' and 'FIA', all of which have a minimum of 40 million views on YouTube. He also made it onto the Forbes Africa 30 Under 30 list.

The verdict

It may well be that an African artist does not win this year's award. The five will go against Booba (France), Dadju (France), Niska (France), J Hus (UK), Stefflon Don (UK) and Stormzy (UK). Still, that's an almost 46% chance that an African wins the award. But who? Cassper has embarked on a mammoth online campaign mobilising fans to vote for him and Davido, whose appeal transcends the continent, is arguably the biggest name in the category.

But since the winner will also be determined by industry professionals, a surprise like new kids on the block Distruction Boys taking the award or Tiwa Savage making history is on the cards. Then there's Fally Ipupa, the dark horse who's been gunning for it forever. Nonetheless, our money is definitely on Davido.

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