NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Reviews

Willis Watafi — Songs of David

15 Nov 2016 - 13:27

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Artist: Willis Watafi
Album: Songs of David
Label, Year:  Qaya Rootz record label, 2016

 

Willis Wataffi's Songs of David

Zimbabwean musician, Willis Wataffi has finally heeded a call he has run off from for years and decided to record an album on his knees.

Willis is a former front man of explosive Qaya Roots outfit, Afrika Revenge. Titled Songs of David, the album has gotten heads turning for its provoking cover design.

That is not to say Willis has left the jazzy grooves and contemporary vibe for the synagogue full time.

“I have always been on my pathway to recording a gospel effort ever since I sang at a Rhema church in South Africa. It may have been a calling I was not heeding enough but final that bug has caught up with me and I decided let me sing for my Lord and his glory,” says the devout Christian.

Not to say he has never written from the passion of his religious virtue, those who really know the musical way the Bulawayo-bred musician has charted will remember that even on the phenomenal Qaya Rootz album were songs for benediction, notably ‘Anochengeta’.

“True, I have always written a track or so to speak to my spiritual upbringing but this time around I have decided to go all out in my praise and worship,” he says.

With his satin voice and sweet-sensational harmonies, Willis has created this 13 track scorcher which will leave gospel music lovers wishing he were turning to the genre forever while the contemporary music lover will appreciate it for its artistic merit.

He even has strong hands, hands strong enough to pull the massive voice of the gentle giant of gospel music, Pastor G in the track ‘Ngaavongwe’, which also features the up and coming starlet Abraham Mchesa.

There had been the misconception that since he has gone on a gospel tip, he would stay as a gospel artist. He dismissed it for its ridiculous core. After all Mariah Carey did not continue to make Christmas Carol laden albums simply because she had done a Christmas album. Neither did Beyonce or Kanye West get labeled as gospel artists after singing gospel medleys with Destiny’s Child or Jesus Walks respectively.

The album Songs of David is more than a gospel album, as those who listen to it will attest to. It is a lyrical and musical journey. It is an experience that is delving into the lyrical mastery of a modern day lyrical Michelangelo who paints the picture of the sweet science of worship in words and music. To accompany the musical baby, Willis has already perfected the video for ‘Ngaavongwe’ and plans a little bit more.

“This is my conversation with God and I have to go all out. It is my moment with my creator. As a result I should exert myself. As a result I am also doing four more videos for songs off of the album,” he promises.

Doubtless, his fans will find a newfound love with their artist as he resurrects on this beautiful album along with his saviour.

As a solo artist he has released albums notably Zhizha - A Time To Sow (2007) and Qaya Rootz (2009), with chart-topping hits like 'Rusambo' and 'Nzira Masanga'.

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