NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Human rights bodies demand release of jailed Nigerian musician

25 Jun 2019 - 09:49

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Artistic rights organisations in Nigeria have launched an online petition that calls on artists, cultural activists and the international human rights community to condemn the alleged unconstitutional sentencing of Kano-based musician Mohammed Yusuf.

Falz is among the many artist who have condemned AGY's imprisonment.

Yusuf, whose stage name is AGY, was arrested on 18 June and sentenced a day later for defaming Kano State governor Abdullahi Ganduje in one of his songs. He was also charged with two counts of releasing a song and music video without the permission of the Kano State Censorship Board. The accumulative sentencing handed down is two years, with an option of a 100 000 naira ($280) fine and a reduction of the sentence by one year.

The petition was published by the Committee of Relevant Art (CORA) and Arterial Network Nigeria, which have decried the judicial process that led to Yusuf's imprisonment.

The petition demands the reversal of the sentence and Yusuf's unconditional release, as well as compensation for Kano-based artist SK, who was initially identified as the creator of the song but subsequently released when Yusuf was confirmed as its owner.

Music In Africa could not confirm the title of the song, but according to Daily Post one of the verses, sung in Hausa, says: “The Kano governor has already turned blind. I swear, what you did is hurting us. For lucre, the governor is more than a thief. For lucre, the governor can sell out Goggo [his wife].”

Since its release on 22 June, the petition has been signed by several rights activists and public figures.

“Is the governor so fragile that insults (if indeed they were insults) hurled in his direction could have wounded him so grievously?" former Fela Kuti manager Rikki Stein wrote on the petition. "What kind of governor is he that he's unable to rise above such inconsequential and ultimately harmless barbs?”

The former director of the Centre for Creative Arts in South Africa, Peter Rorvik, said: “The voices of artists make an important contribution to discussion and debate in our societies and the kneejerk shutting down of freedom of expression in this instance makes a mockery of local judicial processes. We hope that good sense will prevail before this case escalates into a major embarrassment for Nigeria.”

Nigerian rapper Falz, who was on the receiving end of criticism for his 'This Is Nigeria' video last year, also condemned Yusuf's sentencing and imprisonment.

“It is shameful to see public officers using the machinery of the state to harass citizens and attempting to hinder our inalienable freedom of expression," he said. "Anyone who knows the musician Mohammed Yusuf personally should please get in touch with me. We need to contend this unjust sentence.”

Sign the petition here.

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