NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

Top Ghanaian songs of 2023

03 Aug 2023 - 12:59

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At the heart of Ghana’s top songs of 2023 lies a wholesome dedication to preserving the cherished legacy of highlife while seamlessly incorporating modern influences, blending innovation with tradition and reinforcing the nation’s position as a driving force behind Afrobeats.

OliveTheBoy.

The deep-rooted influence of reggae and dancehall, as seen in the works of Stonebwoy and Kofi Kinaata, also demonstrates an ability to whip up sounds that are both authentic and globally appealing. A diverse roster defines this year’s chart-toppers, with artists like KiDi, King Promise and Kelvyn Boy leading the pack with a proven track record while rising stars like OliveTheBoy and Lasmid are putting the world on notice.

Music In Africa presents a dynamic playlist featuring the top Ghanaian songs of 2023, curated in no particular order. This playlist will continue to expand throughout the year. Be sure to bookmark it for ongoing listening pleasure as more songs are added.

Goodsin by OliveTheBoy

OliveTheBoy, Ghana’s biggest breakout star of 2023, has his first big song. ‘Goodsin’, taken from the musician’s Avana EP, which has also charted creditably elsewhere in Africa, blurs the line between love and lust, but hey, that’s how we like it here.

Into The Future by Stonebwoy

Stonebwoy’s continual presence in Ghanaian pop’s top tier is a testament to his consistency and Midas quality. ‘Into The Future’, the love-themed Afro-dancehall number taken from his 5th Dimension album, is among the latest offerings by the artist to gain popularity this year.

Terminator by King Promise

Because of the delicate allure of his voice, King Promise’s most successful songs have catered to romance. But every now and then, he veers off into other thematic areas, demonstrating his versatility. Here, on ‘Terminator’, he discusses being fed up with operating based on other people’s opinions and validation. And suddenly, it is how lovers of mainstream hits feel.

I Lied by KiDi

This KiDi single broaches a topic so sensitive it is often missing in the mainstream: the woes of pretending you are well when you are not, as it seems like society hardly has time to notice. “If I tell you that I’m okay, I lied’, he stresses in the hook.

Effiakuma Love by Kofi Kinaata

Few Ghanaian musicians push their creative licence like Kofi Kinaata does. He started out rapping, then took to engineering highlife melodies, and swiftly became Ghana’s most beloved songwriter today. On ‘Effiakuma Love’, which honours both perfect romance and the residential town in Western Ghana where he hails from, he experiments with reggae. It works!

Twatis by Oseikrom Sikanii ft. Kweku Smoke

As far as Ghanaian street anthems go, internet star-turned-rapper Oseikrom Sikanii checks all the boxes: it’s witty, honest, linguistically accurate, braggadocious enough and dance-ready. The now viral track, which features a great verse from fellow rapper Kweku Smoke, is the highlight of Oseikrom Sikanii’s Big Trapper debut.

Reckless & Sweet by Amaarae

If any two words describe Amaarae’s artistry, they are precisely those that constitute this single, taken off her highly anticipated sophomore LP Fountain Baby. The track blends Arabic and Indian melodies with African drum beats in an exploration of toxic love.

Butta My Bread by JZyNO ft. Lasmid

Ghana-based Liberian singer JZyNO scores an earworm with ‘Butta My Bread’, the Lasmid-assisted love song that has been on the lips of Ghanaians for much of this year. While it marks the first major breakthrough for the Liberian, it indents his Ghanaian counterpart’s growing reputation as the next big thing.

Adoley by Camidoh

Camidoh’s first international breakthrough came by way of ‘Sugarcane’ in 2022. So successful was the song that it has become a case study for many a Ghanaian act looking to score an Afrobeats hit. With ‘Adoley’, Camidoh hopes to maintain top-of-mind awareness, beautifully fusing highlife pulses with the in-vogue Afropop sound.

Vero by Kelvyn Boy

Kelvyn Boy’s ‘Vero’ is as highlife as they come, and the brilliance of the record lies as much in the simplicity of its hook as it does in its instrumentation, whose groove feels alive with traditional percussion work and other sonic embellishments.

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