NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Home / Artists & Industry / Hanepoot Brass Band
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Cape Town, South Africa

In operation since:

2019

Contact person:

Hanepoot Brass Band

BIO

Hanepoot en sy brasse maak ‘n band: Jannie Hanepoot has been walking around with an acoustic brass band playing south african grooves in his head for years now, but while getting sidetracked by life (and the Hanepoot Big Band) this is where it remained. This year he decided to bite the bullet, wrote some tunes and got some of his favorite musicians together to play them. The result has been pretty awesome, and the Hanepoot Brass Band was born. There are some new originals and some exciting new arrangements of interesting and lesser-known compositions by other south african composers.

Jannie Hanepoot (trombone) from Montagu in the Klein Karoo. In 1983 Jannie Hanepoot found himself at the very beginning of the afrikaans music revolution when James Phillips asked him to play trombone on his groundbreaking Bernoldus Niemand album. He then spent the next decade on the road playing marabi with Ntemi Piliso’s African Jazz Pioneers (out of Dorkay House), mbaqanga with Winston's Jive Mixup and tasting rock & roll in its purest form, delivering a protest against a heavy-handed establishment, as drummer and trombonist with Johannes Kerkorrel's Gereformeerde Blues Band. He then spent 4 years living in Amsterdam, playing jazz, salsa & funk all over Europe. In 2001 he started the pure african jazz Hanepoot Big Band back in Cape Town, of which the Hanepoot Brass Band is a proud off-spring.

Didier Richards (tenor sax) from Southfield. For his sins he plays sax and flute for the South African Navy band (sometimes in exotic places like on a submarine in Moscow). For his love of music he plays in various jazz groups around Cape Town.

Carlton Adams (Trumpet) from Elsiesrivier is brass teacher at St Andrews High and music teacher at Baruch Social Development project connected to the award-winning Klopse troupe Baruch Entertainers. Carlton is currently reading for a B.Mus in jazz performance.

Douglas Armstrong (trumpet) from Mowbray. A renowned composer, "Drugless Lovestrong" ex Honeymoon Suites, Moodphase5ive, coordinates and teaches the music performance course at AFDA film school. Also plays trumpet and guitar with Ottoman Slap.

Duncan Johnson (baritone sax) from Retreat is the sax and ensemble teacher at York Road Primary school and Alexander Stinton High school. He studied jazz arrangement at UCT.

Cheslyn Noble (sousaphone) from Steenberg grew up in a musical family and has been performing since a very young age, notably starting out as ‘voorloper’ for the St. Joseph’s Christmas band at age eleven. He is currently also on sousaphonist for one of Cape Town's well-established Christmas Bands "Wisemen of the East".

Nick Turner (banjo) from Tamboerskloof was coerced into playing banjo for Hanepoot, he was (and still is?) an accomplished singer-songwriter and guitarist, founder member of bands "Sons Of Trout" and "Mikanic", and guitar teacher at Solms-Delta as well as various schools around Cape Town.

Carlo Fabe (percussion) from Mitchells Plain teaches at the IMAD music school and the Solms-Delta Music development project. He’s played with everyone who's anyone on the Cape Jazz scene, currently with Steve Newman Trio, Peter Ndlala’s Unit 5 & Hilton Schilder. He first crossed paths with Hanepoot as drummer in the late Errol Dyers’ band. On occasion (when Liverpool is winning) he’s been seen at the Premium Sports Bar in Mitchell’s Plain devouring chicken wings

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