NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Trae Yung

Trae Yung

Solo artists
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Harare, Zimbabwe

In operation since:

2011

Contact person:

Trae Yung

BIO

Trae Yung (born Tracy Mbeulani) is a rapper and MC from Harare, Zimbabwe.

She earned fame through such songs as 'Ndikoko', 'After Party' 'Tafiniaiser' and 'My Way'. They were hits on local and online radio. All mentioned tracks were at number 1 on Power FM's daily and weekly chart shows (Zimbabwe’s biggest national radio station). She was one of the female nominees of the first ever Zim Hip Hop Awards that were held in December 2011, for Best Female Hip Hop Artist.

In 2016, Trae Yung headlined at the ZIMFEST event in Oslo, NORWAY and performed alongside the legendary Zimbabwean musician Busi Ncube. She also had gigs in Denmark, Sweden and Germany.

Trae Yung’s first taste of success came when she worked with Dija, Mr. Noxa, 8L, Snazzy & Friky Don on their compilation album entitled 'SHAURA' which made a lot of noise on local radio and on the streets. She has also worked with many artistes including Ba Shupi,Diana Samkange,Ex Q,Maskiri, Shinso, Ngoni Kambarami, Shingi Mangoma, Noble Stylz, Darkface, MC Cut, Xndr, Lil Swayz, just to mention a few. Producers she has worked with include T-Man (Mt Zion Music),McGuyver (Ice Reign Records), The Hitmen,J-Dot,Tapiwa Senah,Givanchy Records,H1, Mbale (Raw Muzik), Russel Chiradza “Russo”, Simba Tagz and Tragey Hits.

On the performance side Trae Yung is a serious performing artist and in 2012 she successfully staged one of her biggest acts with South Africa's big kwaito/house music star, 'Professor' of the "Lento" fame on April 5 2012, together with fellow stable members Dija and Mr. Noxa. Not only that but Trae Yung is a big brand on her own and this was proved the same year when together with TMG Rekodz, Trae Yung staged one of the biggest birthday bashes of that year which was attended by some of the biggest names of the Zim Hip Hop industry such as Junior Brown, Tatea The MC, MC Cut, Boi Mac, Young Nash & DarkfFace along with many fans who flooded her birthday bash venue. Such is the strength of her following and with each track she is releasing that fan base continues to grow.

During the 2012 Zim Hip Hop Awards, Trae Yung was nominated in 4 categories;
1. Best Female Hip-hop artist,
2. Best Album-I Will
3.Best Collaboration-Can't Help It ft Dija & Mr Noxa
4. Best Hip-hop song-Cant' Help it
Out of that she scooped the Best Female Hip-hop Artist award.

Though her area of music is male-dominated, Trae has been and still is working hard to make an impact on the Zimbabwe Hip Hop scene. One of her greatest strengths is her collaborative skills with artists from different music genres such as dancehall and RnB.

Following the release of her successful ‘I Will CD’ Trae Yung was immediately selected to feature on a continental (African) Female Mcees’ 19 tracks compilation CD which was launched on the 14th of September 2012. Carrying the Zimbabwean flag on that CD was Trae Yung’s track ‘’I Will’’. The Spanish crew behind the compilation invited all African countries with female MCs to submit material and from that material, 16 songs were selected to be featured on the CD. This speaks high volumes for Trae Yung’s music to be featured on a CD comprising of artists from countries of immense music talent which are currently attracting a lot of international attention such as Nigeria, Ghana, Senegal and Kenya just to name but a few.

2013 proved to be a very successful year for Trae Yung and after her chart topping “My Way” single, she flew high with fellow stable mates Dija & Mr. Noxa with a single they did together entitled “She Luvs Me”. This got rare reviews across the 3 most popular radio stations in Zimbabwe (Power FM, Star FM & ZiFM). The track debuted at number7 in the top ten chart show on Power FM and in its second week it made it to the number one spot. Her collaborative skills were again well proven when she featured songstress Shingi Mangoma on a rare gem of an afro-centric track entitled “Who we are” produced at TMG Rekodz. That track has been an instant success and has been well received by DJs and Radio presenters in Zimbabwe and on online radio stations. The beauty about the “Who we are” single is the exhibition by Trae Yung of depth in her lyrics by touching on subjects which affect women in the society, at home and at work.
2014 was also one of Trae Yung’s biggest years in terms of progress. She rode high with her hit song ‘NDIKOKO’ which managed to be a part of the Power Fm Zimbabwe’s chart shows, both daily and weekly. It sat on number 1 for quite a number of times. ‘Ndikoko’ is off Trae Yung’s 2014 Album titled ‘THE MANY MOODS’, which also carries tracks that feature Diana Samkange (Mugarandega) and Ba Shupi (Toziva Zvipi?). Trae Yung recently launched the #NDIKOKO hip-hop clothing line under her ultimate clothing label ‘TRAE YUNG’. The 2014 edition of the Zim Hip Hop Awards, Trae Yung was been nominated in 3 categories i.e Best Female hip hop artist, Best Album – ‘The Many Moods’ and Best Collaboration, where she features on Noble Stylz’ track ‘Ma Born Free remix’.

Trae Yung comes from a family of four children. She’s the only daughter, third child of Mr. and Mrs. Mbeulani. She did her primary school level at Courtney Selous Primary school in Greendale and Lomagundi Primary school in Chinhoyi. She did her secondary level education at Moleli High School in Selous. She then attended DMC Hotel Training Centre in Westwood, Harare, where she studied for an advanced diploma in Hospitality and Tourism Supervisory Management.
Trae Yung has always been a huge music lover from a tender age. She gets her inspiration from her family, who have been very supportive of her passion for music. Musically, she’s inspired by old school artists like Foxy Brown and MC Lyte. She also likes new school artists like Lola Monroe and Diamond.

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Youtube: Trae Yung Zimbabwe
Audiomack: Trae Yung
Soundcloud: Trae Yung
Instagram: @traeyung
Facebook: Trae Yung
Twitter: @traeyung
Reverbnation: Trae Yung

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