NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Home / Artists & Industry / Elrine Lottino
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George, South Africa

In operation since:

2000

Contact person:

Elrine Lottino

Contact:

0823317112

BIO

“It would be unfair to simply define Elrine by merely calling her a vocalist. In producing music for her, I found her to be what every singer should aspire to be. Not just a singer but a musician. A competent pianist, Elrine can articulate musical ideas she hears in her head and express them outwardly. She has the ability to marry melodies, lyrics and chords to create complete and international standard songs.” – RJ Benjamin (Producer; Performing Artist; Composer; Vocal Coach)

Elrine Lottino (previously “Spies”) has built an extensive career as jazz vocalist, singer/songwriter and vocal coach over a period of approximately 16 years. She has performed as backing vocalist alongside artists such as Asanda Bam, Jan Blohm, and Laurinda Hofmeyer, and works with acclaimed Jazz musicians - Wayne Bosch, Anthony Koopman and Thato Tswai, amongst others. She sings the theme song of the Television Series - Dit wat stom is – in collaboration with Jan Blohm. In 2007, she is awarded the Esme Webb Bequest for her performance in the intermediate round of the prestigious SAMRO Overseas Scholarships for Singers Competition. In 2014, she composes the music and theme song to the feature shortfilm - Neem my saam – screened at the Silwerskerm film festival. Aside from performing, she regularly acts as adjudicator for several university serenade competitions, as well as other competitions such as the Pretoria Eistedfodd.

Her passion for music education is expressed through workshops and short courses of her own design, aimed at aspirant singers and songwriters. She has presented her workshops and courses at several schools and music institutions, including The Vocal Room in Windhoek, Namibia; St. Albans College, and Oakfields College in Pretoria. Several performing artists such as Steyn de Wet, Annemarie Steenkamp, and Tribute “Birdie” Mboweni have consulted her expertise as vocal coach and songwriter. Her advocacy for jazz music programmes in the schooling sector took shape in the form of a Jazz Club, which she spearheaded while appointed as contemporary vocal coach at St Albans College, in Pretoria, from 2015 to 2018. Her students collaborated with music students of the Tshwane School of Music in Eersterust, Pretoria.

Elrine holds a B.Tech degree in music, attained at Tshwane University of Technology (TUT) School of Music, in 2005. Her career in the field of music education prompts her engagement in postgraduate studies. In 2018 and 2019, she completes a Postgraduate Certificate in Education (PGCE) (SPFET) via The University of South Africa (UNISA). She graduates cum laude and is offered a merit bursary. She simultaneously completes a B.Mus Honours degree in 2019 at Stellenbosch University (SU), and graduates cum laude. In October 2019, she is accepted for the practical component of the M.Mus Jazz Performance course offered at the University of Cape Town (UCT), and is currently working on a research proposal for submission in the near future.

She remains an active performer and teacher, whilst enjoying her journey as a lifelong student of music. Aside from her professional interests and aspirations, she is a devoted mother, nature lover, and enjoys serving as session musician at Eden congregation, George, where she resides.

“I have been actively involved in the South African music industry as a producer, arranger and session guitarist. In my career I have come across many musicians, artists and songwriters. I am of opinion that Elrine Lottino is a singer ,songwriter and musician of extreme high level. I was involved with songs she recorded and I immediately noticed that she is extremely talented and creative. She will be an asset to any form of institution that involves music or any artist looking for new material.” - Johan Rautenbach (Producer; Musician)

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