NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

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Johannesburg, South Africa

In operation since:

2015

Contact person:

Theo Pluto

Contact:

0744198243

BIO

Akhona Theophilous Mpendu also known as 'Theo Pluto' is a Soweto born and bred arts practitioner. His musical journey started in the late 90’s just as Kwaito was finding its own expression. Over the years the interest in getting people to respond to sound in certain ways silently grew in the shadows. It was in Varsity around 2010 that he started to curate music. It was during this time that he was introduced to people that had been exposed to the digital side of music and they were using advanced DeeJaying software. He quickly got the hang of the software and started to compile bedroom sets in his spare time. It was only four years later that he would start presenting his musical compilation sets in public spaces in and around the East London’s artistic circles. Overtime, people started to make requests for him to come and play at their shows and that’s how the name grew and found momentum.

 

It was through one of the projects that he founded called ‘The Markett Place Beat Exhibition’ which made him a known alternative music DJ and sound blender around the alternative artistic circles around South Africa with his outlandish and experimental mix sets which infuse various sounds from vast musical genres. He considers himself more of a public hypnotist that uses music to get people to connect with the spiritual side of the self through one of the most important human senses. Theo Pluto has worked on joint projects with some of South Africa’s house hold names in the alternative music scene such as the likes of Sy Ntuli, Nduduzo Makhathini, Asanda Msaki and many more under a collaborative venture between The Nelson Mandela Institute, Eastern Cape Audio Visual Center, University of Fort Hare Music Department, Bon Fyah Literature & Creative Arts Organisation, Eastern Cape Provincial Arts & Culture Council and many others. 

 

Currently he is working on numerous projects within the domains of sound and writing. His most recent work is a series of musical sets titled ‘Digging Through The Archives’ where he was funded by the Eastern Cape Provincial Arts & Culture Council to curate a vinyl record collecting tour around the Eastern Cape Province. Soon he will be releasing 12 one hour audio visual mixes from the records he has collected in the Eastern Cape Province. He is also responsible for “Sound Arguments” where he curates and releases sporadic musical set pieces that are made up of different sounds but blends them together beautifully. You can find these on his Soundcloud and MixCloud profiles. You can also find the first “Makeshift Spaceship” mix on his SoundCloud profile. As these are the only mixes that have been publicly released by him to date. 

 

Besides DeeJaying, Theo Pluto is the founder and Creative Director of Bon Fyah which is a literature and creative arts movement that focuses on the written medium within the Arts. Theo is also an independent writer that is working on his first novella which is currently in its editing phase. Theo is also the founder of a clothing brand that is in the pipelines called Indigo Child. With Indigo Child he is working on an independent research project that will unpack the Indigo Child brand as a philosophical concept as well as contribute to academic research while further expanding on the pool of indigenous African knowledge systems and ritual practices. Theo Pluto has always been surrounded by music lovers which led to him becoming the music connoisseur that he is. 

 

Theo’s style of play is really unique as he draws from all of his childhood musical influences to project a sound that synchronizes well to deliver and evoke the desired feeling of expressive freedom. The objective of all his musical sets is to get people to trance and forget about their immediate surroundings while getting lost in the music. He always tries to introduce alternative sounds within the music that he plays and most importantly get people dancing to music that they might not be familiar with. This is where he believes the magic happens. Over the past couple of years he has delivered sonic offerings around the country in some of South Africa’s recognised Metropolitan cities such as Johannesburg, Pretoria, Cape Town, Port Elizabeth, East London and more

Photos

No photos available

Music

The Makeshift Spaceship

Theo Pluto
59:37

Crash Dummies

Theo Pluto
58:00

Cookie Dough

Theo Pluto
54:33

Sonic Citations

Theo Pluto
01:00:18

Videos

Coming soon

Social Networks and Websites

Disclaimer: Music In Africa provides a platform for musicians and contributors to embed music and videos solely for promotional purposes. If any track or video embedded on this platform violates any copyrights please inform us immediately and we will take it down. Please read our Terms of Use for more.

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