NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Home / Artists & Industry / Lenin Guveya and Zefa Band
Lenin Guveya and Zefa Band

Lenin Guveya and Zefa Band

Bands /groups
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Harare, Zimbabwe

In operation since:

2008

Contact person:

Lenin Guveya and Zefa Band

BIO

Lenin Sorojena Guveya is a township jazz and reggae artist based in Harare Zimbabwe, he was born on the 9th of July 1991 in Highfield Harare Zimbabwe. He studied his primary education at Mutasa primary school and his secondary studies at Highfield 2 High school[Gorongoza]. Sorojena comes from a musical family background where his father is a lead guitarist and lead vocalist of Vadzimba Band which is based in Highfield and was established in 1986. His father inspired him to play the bass guitar at the age of 9, of which he managed to form the Planet boys band with his friends at that young age where they used homemade instruments where they did songs Ambuya varipi and Why unfortunately they did not record the songs by then. In 2008 that‚ is when he met Roki real name Rockford Josphat and he started grooming him and introducing him to the music industry. Lenin recorded his first song titled‚ Äújoy‚ Äù at Angel Voices record studio in Waterfalls in the year 2009. In the year 2012 he recorded two singles songs titled Sunshine and Queen of my heart at Washen basket Roki’s Studio in Parktown Harare where Soul Jah Love, Simplex, Rass Caleb, Angelz and Kinnah were groomed as well by then. Guveya won several prizes at ZBC Voice Box under YGT banner. Year 2013 he left Zimbabwe for South Africa in search of greener pastures where he was doing live shows, in 2015 he did curtain raising for Anton B a Jamaican reggae artist in Rustenburg. He came back to Zimbabwe in 2016 and recorded a song called Hauterere at Kenako studio in Borrowdale with the help of Roki. That same year he recorded a song Mai Caroline with Sludem studio. Guveya also ventured into a contract with Zim Talent where he did 12-episode comedy acts and musical videos for Mai Caroline and Change how you feel. Sorojena registered Vadzimba Arts and Cultural Trust where he was advocating for drug and substance abuse and all forms of child abuse, they partnered with the City of Harare Council, where they used the council infrastructure for training and advocacy purposes. The Trust failed to progress well to fulfil its purpose due to incapacitation [lack of funding]. At Wakanda studio Roki’s studio he recorded Pondo Muhomwe, Kakutsatika, Bhoo here featuring Discord, My Love featuring Maskiri, Hapana featurimg Rocky and Kanandinewe featuring Master H, he aslo did Mfo wetu, Zangata featuring Tocky Vybes and Endlini with Lazy Tee Big Tings studio as well as being a backing vocalist of Rocky and Maskiri. During the pandemic era to date, he joined hands with Romeo Gasa and they started a movement called Nhari Tribe where they started helping upcoming artists from rural areas such as King Ragnar who is based in Mhangura and Styles from Highfield. Currently Sorojena is doing social work such as drug and substance abuse awareness, girl child empowerment, self-esteem boosting and youth empowerment. Lenin is no longer doing karaoke performances he is now doing Live band performances and the band is called ZEFA.

Discography

Singles
> 2019 – Mufowethu
> 2019 – Pondo muhomwe
> 2019 – Hapana
> 2019 – Zangata
> 2019 – Bho here
> 2019 – Endlini
> 2016 – Mai Caroline
> 2016 – Hauterere
> 2012 – Sunshine
> 2012 – Queen of my heart

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