NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Call for applications: Music Mobility Fund

07 Sep 2015 - 12:06

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Planning a music tour but unsure how to fund it? Apply now for Concerts SA’s Music Mobility Fund, which will select new projects to support in October. Following the success of the first round of funding for 2015 in April (as well as in late 2014), applications are now open for the second edition of Music Mobility Fund disbursements for 2015. The deadline for submissions is Monday 5 October 2015 - and tours should take place between October 2015 and mid-April 2016.

John Hassan on stage. Photo: Facebook

This tour funding mechanism offers opportunities for professional South African musicians to undertake live music tours in South Africa as well as other Southern African Development Community (SADC) countries. The fund provides support to live music performances, collaborations and workshops. Since it was initiated in 2013, the Music Mobility Fund has supported more than 50 tours and has featured artists like Wendy Oldfield & Paul Hanmer, Ihashi Elimhlophe, Pops Mohamed & Dave Reynolds, Carlo Mombelli, Morayks and Thandi Ntuli. In addition to South Africa, these performances and projects have fanned out to Botswana, Lesotho, Malawi, Mozambique, Namibia, Swaziland, Tanzania and Zimbabwe, spanning genres from jazz to traditional indigenous music, from folk to hip-hop and kwaito.

Hassan’adas band leader John Hassan, who recently returned from a tour of Mozambique supported by the Music Mobility Fund, says it was a fruitful and instructive experience in his development as a professional musician. “Since this was the first time I personally had to manage all logistics surrounding the tour, I have learned a lot and now understand the enormous load it takes to undertake such a task: from sourcing gig venues to accommodation, transportation, food, marketing and outsourcing musical instruments. The project requires major organisational skills, the ability to keep records and time management. I have learned many things from this experience, and will do some of them differently to reduce costs. Plus, I have made great contacts during this tour!” said John.

Guitarist Guy Buttery, another 2015 Mobility Fund recipient who has also collaborated on other funded tours, says: “Concerts SA not only assisted with making it possible to arrange great sound for the numerous launches on Julian Redpath's ‘Maiden Light Tour’, but also consistently hyped the tour through social media and helped put the tour in the press and Julian’s album on the South African map. For a young artist to have this kind of support both financially and on an emotional level is not only important, but instrumental for the birth and rise of young musicians. Knowing that some expenses will be covered, and that the word is out there for all the shows in each city, aids artists to push the envelope and invite other musicians to collaborate. This makes for a deeper experience and showcases the music in the best possible light.”

The Fund is administered by Concerts SA, a joint South African/Norwegian project housed within the SAMRO Foundation. Designed to help musicians, music industry professionals and organisations build on already established domestic success and develop connections, markets and audiences for their work, the fund provides support towards travel and transportation, as well as per diems, material costs (hiring of backline and sound equipment), accommodation and visas.

How to apply

Among the projects that may be financed are tours and concerts, including regional, national or provincial tours, as well as performances at festivals and showcases. The Music Mobility Fund also funds artistic collaborations with merit among musicians based in different provinces of South Africa or SADC countries. Each project must be between four days and six months in duration.

  • National Projects: Artists from all provinces are invited to apply for national projects taking place in any South African province(s). The bulk of the activities must take place outside the province where the artist is based. The tour schedule must include one activity in either Gauteng, the Western Cape or KwaZulu-Natal. Applicants may request up to R 25 000.
  • Regional Projects: Regional projects must take place in one or more of the following SADC countries: Angola, Botswana, Democratic Republic of Congo, Lesotho, Madagascar, Malawi, Mauritius, Mozambique, Namibia, Seychelles, Swaziland, Tanzania, Zambia and Zimbabwe. Applicants will need to conduct their own research and have identified and communicated with a potential partner or host. The partner may be an individual or organisation and must be an established musician or music professional, and must be based in the SADC country (or countries) where the project will take place. Applicants may request up to R 40 000.

Applicants should complete the application form in English, and submit it by Monday 5 October 2015, including the following mandatory documents:

  • legal documentation of the applicant (ID/passport copy for individuals and organisation representatives; company registration documents);
  • track record (media coverage, website links, evidence of recognition awards, public appearances or residencies, CV, biography, etc);
  • budget of the project (including projected income and expenditure); and
  • a calendar of activities with tour schedule. SADC regional projects must include a letter from the local host confirming their support and involvement.

Enquiries and applications should be submitted by email to [email protected], by fax to 086 500 7028 or by post to Concerts SA, c/o The SAMRO Foundation, 20 De Korte Street, 4th Floor SAMRO Place, Braamfontein, Johannesburg, 2001.

For more information, visit the Concerts SA website or Facebook page.

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